Publications

Directory of Publications

2024

  • Webb, S., Thomson, R., & Moore, N. (2024). Reanimating feminist archives: ethics and praxis. Frontiers in Communication Culture and Communication, 9, pages. doi:10.3389/fcomm.2024.1352534
    Article. View on figshare.
  • Jolly, M. (n.d.). Listening projects: the BBC, oral history and the nation in fractured times. Oral History Review, pages. doi:10.1080/00940798.2024.2324062
    Article. View on figshare.
  • Whitby, M., Mao, F., Stawarz, K., Marrero, S., & Walton, J. (2024). Serious Games Cookbook: A beginner's guide to using and designing serious games. Warwick, UK: University of Warwick Press. doi:10.31273/978-1-911675-13-6
    Book. View on figshare.

2023

  • Pawlicka-Deger, U., & Thomson, C. (n.d.). Digital Humanities and Laboratories. Routledge. doi:10.4324/9781003185932
    Chapter. View online.
  • Robinson, J., Sandow, R. J., & Piazza, R. (2023). Introducing the keyconcept approach to the analysis of language: the case of regulation in COVID-19 diaries. Frontiers in Artificial Intelligence, 6, pages. doi:10.3389/frai.2023.1176283
    Article. View on figshare.
  • Robinson, J., Piazza, R., & Jones, R. (2023). Editorial: Unhealthy language: linguistic investigations of COVID-19 discourse. Frontiers in Artificial Intelligence, 6, pages. doi:10.3389/frai.2023.1281059
    Article. View on figshare.
  • Walton, J. (2023). Climate Uncertainty and the Arts. Sussex Humanities Lab and PASTRES. doi:10.5281/zenodo.8226560
    Reports and working papers. View on figshare.
  • Kiefer, C. (2023). Dynamical complexity measurement with random projection: a metric optimised for realtime signal processing. In Sound and Music Computing 2023 (pp. 89-95). Stockholm, Sweden.
    Conference publication. View on figshare.
  • Sichani, A. M., Baker, J., Eldridge, A., Hitchcock, T., Roberts, B., Tatham, S., . . . Webb, S. (2023). How to Avoid Being a DH Lab: The Stories of the Sussex Humanities Lab. In Digital Humanities and Laboratories: Perspectives on Knowledge, Infrastructure and Culture (pp. 67-86). doi:10.4324/9781003185932-6
    Chapter. View online.

2022

  • Berry, D. (2022). AI, ethics, and digital humanities. In The Bloomsbury Handbook to the Digital Humanities (pp. 445-457). London: Bloomsbury.
    Chapter. View on figshare.
  • Robinson, J., & Weeds, J. (2022). Cognitive sociolinguistic variation in the old bailey voices corpus: the case for a new concept-led framework. Transactions of the Philological Society, 120(3), 399-426. doi:10.1111/1467-968X.12250
    Article. View on figshare.
  • Eldridge, A. (2022). Computer musicking as onto-epistemic playground on the joy of developing complexity literacy and learning to let others be. Journal of Creative Music Systems, 1(1), 1-31. doi:10.5920/jcms.1038
    Article. View on figshare.
  • Dennison, E. (2022). SHL Annual Report 2022. University of Sussex, UK: Sussex Humanities Lab.
    Reports and working papers. View on figshare.
  • Walton, J., Eldridge, A., & Oji, A. (2022). Media, Arts, and Humanities Sustainability Educator Toolkit. Sussex Humanities Lab.
    Reports and working papers. View on figshare.
  • Farina, A., Eldridge, A., Fuller, S., & Pavan, G. (2022). Editorial: Advances in ecoacoustics. Frontiers in Ecology and Evolution, 10, a978516 1-4. doi:10.3389/fevo.2022.978516
    Article. View on figshare.
  • Kiefer, C. (2022). Towards lightweight architectures for embedded machine learning in musical instruments. In Proceedings of the 19th Sound and Music Computing Conference (pp. pages). Saint Ettiene, France: Zenodo. doi:10.5281/zenodo.6572946
    Conference publication. View on figshare.
  • Walton, J. (2022). Speculative Fiction and Post-Capitalism. In N. Marsh, P. Crosthwaite, & P. Knight (Eds.), The Cambridge Companion to Literature and Economics. Cambridge: Cambridge University Press.
    Chapter.
  • Corfield, P. J., & Hitchcock, T. (2022). Becoming a historian: an informal guide. London: University of London Press. doi:10.14296/202205.9781914477164
    Book. View on figshare.
  • Walton, J. (2022). Shoshana Zuboff. In Fifty Key Figures in Cyberpunk Culture (pp. pages). New York: Routledge.
    Chapter. View on figshare.
  • Walton, J. (2022). Bitcoin and stone money: Anglophone use of Yapese economic cultures, 1910-2020. Finance and Society, 8(1), 42-66. doi:10.2218/finsoc.7126
    Article. View on figshare.
  • Walton, J. (2022). Bitcoin and Stone Money: Anglophone Use of Yapese Economic Cultures 1910-2020. doi:10.33774/coe-2021-gnb6d-v2
    Preprint. View online.
  • Webb, S. (2022). Preserving queer voices. In Emerging technologies and museums: mediating difficult heritage (pp. 42-64). Berghahn Books.
    Chapter. View on figshare.
  • Walton, J. L. (2022). SHOSHANA ZUBOFF (1951-). In Fifty Key Figures in Cyberpunk Culture (pp. 257-262). doi:10.4324/9781003091189-52
    Chapter. View online.

2021

  • Fazi, M. B. (2021). Introduction: algorithmic thought. Theory, Culture and Society, 38(7-8), 5-11. doi:10.1177/02632764211054122
    Article. View on figshare.
  • Walton, J., & Levontin, P. (2021). Communicating Climate Risk: A Toolkit. AU4DM / COP26 Universities Network. doi:10.33774/coe-2021-mrx1f-v3
    Reports and working papers. View on figshare.
  • Thomson, R., Bragg, S., O'Riordan, K., Asaleh, K., Gahnstrom, R., & Mcgeeney, E. (2021). Digital intimacies and LGBT+ youth: celebration, equity and safety. Brighton: University of Sussex. doi:10.20919/9780995786264
    Reports and working papers. View on figshare.
  • Eldridge, A. (2021). Listening to ecosystems as complex adaptive systems: toward acoustic early warning signals. In Artificial Life Conference Proceedings (pp. pages). Virtual: MIT Press. doi:10.1162/isal_a_00450
    Conference publication. View on figshare.

2020

  • Eldridge, A., Carruthers-Jones, J., & Norum, R. (2020). Sounding wild spaces: inclusive mapmaking through multispecies listening across scales. In The Bloomsbury handbook of sonic methodologies (pp. 615-632). New York: Bloomsbury academic.
    Chapter. View on figshare.
  • Constant, A., Clark, A., Kirchhoff, M., & Friston, K. J. (n.d.). Extended active inference: constructing predictive cognition beyond skulls. Mind and Language, 0, 1-22. doi:10.1111/mila.12330
    Article. View on figshare.
  • Fazi, M. B. (2021). Beyond human: deep learning, explainability and representation. Theory, Culture and Society, 38(7-8), 55-77. doi:10.1177/0263276420966386
    Article. View on figshare.
  • Hill, L., & Webb, S. (2020). Building connections: creative business and Sussex Humanities Lab. University of Sussex.
    Reports and working papers. View on figshare.
  • Ficarra, E. (2020). Hand/cup/stone. Array, 2019, 23-27. doi:10.25370/array.v20192654
    Article. View on figshare.
  • Beer, D., & Fazi, M. B. (2021). Explorations in the indeterminacy of computation: an interview with M. Beatrice Fazi. Theory, Culture and Society: explorations in critical social science, 38(7-8), 289-308. doi:10.1177/0263276420957054
    Article. View on figshare.
  • Ficarra, E. (n.d.). Sounding time: explorations of audio time-lapse and temporal layering in interdisciplinary collaboration. Leonardo Music Journal, 30, 18-25. doi:10.1162/lmj_a_01089
    Article. View on figshare.
  • Sharma, R., Levontin, P., Kitakado, T., Kell, L., Mosqueira, I., Kimoto, A., . . . Magnusson, A. (2020). Operating model design in tuna Regional Fishery Management Organizations: Current practice, issues and implications. Fish and Fisheries, 21(5), 940-961. doi:10.1111/faf.12480
    Article. View online.
  • O'Riordan, K., & Webb, S. (n.d.). What’s in a name: the politics of queer on campus. Sexualities, 0, 1-20. doi:10.1177/1363460720947306
    Article. View on figshare.
  • Salway, A., & Baker, J. (2020). Investigating curatorial voice with corpus linguistic techniques: the case of Dorothy George and applications in museological practice. Museum and Society, 18(2), 151-169. doi:10.29311/mas.v18i2.3175
    Article. View on figshare.
  • O'Riordan, K. (2020). Queer digital cultures. In The Cambridge companion to queer studies (pp. 185-198). Cambridge: Cambridge University Press. doi:10.1017/9781108699396
    Chapter. View on figshare.
  • Romein, C. A., Kemman, M., Birkholz, J. M., Baker, J., de Gruijter, M., Meroño-Peñuela, A., . . . Scagliola, S. (n.d.). State of the field: digital history. History, 1-22. doi:10.1111/1468-229X.12969
    Article. View on figshare.
  • Baker, J. (2020). GeoCities and diaries on the early web. In The Diary (pp. 492.0 pages). Indiana: Indiana University Press.
    Chapter. View on figshare.
  • Jordan, T. (2020). The digital economy. Cambridge: Polity Press.
    Book. View on figshare.
  • Fazi, M. B. (2019). Distraction machines? Augmentation, automation and attention in a computational age. New Formations: A Journal of Culture, Theory, Politics, (98), 85-100. doi:10.3898/NEWF:98.06.2019
    Article. View on figshare.
  • Chevalier, C. (2020). Wonder bodies, computational prosthesis, and automated creativity: what is expressing who?. In Communication and Cultural Studies Association Conference (MeCCSA). Brighton, UK.
    Presentation. View on figshare.
  • Levontin, P., & Walton, J. L. (2020). Visualising Uncertainty A Short Introduction.
    Book.
  • Walton, J. (2020). Estranged Entrepreneurs and the Meaning of Money in Down and Out in the Magic Kingdom. Foundation.
    Article.

2019

  • Chevalier, C., & Webb, S. (n.d.). FACT///.Mapping feminists coding practices symposium: DIY feminism and creating platforms. fact.network.
    Reports and working papers. View on figshare.
  • Abend, P., & Richterich, A. (2019). Inequalities and divides in digital cultures. Digital Culture & Society, 5(1), 212.0 pages.
    Edited Special Journal Issue. View on figshare.
  • Richterich, A., & Abend, P. (2019). Introduction: inequalities and divides in digital cultures. Digital Culture & Society, 5(1), 5-19. doi:10.14361/dcs-2019-0102
    Article. View on figshare.
  • Bassett, C., Kember, S., & O'Riordan, K. (2019). Furious: technological feminism and digital futures. London: Pluto Press.
    Book. View on figshare.
  • Fazi, M. B. (2020). O fim da teoria da mídia. Intexto, (49), 305-318. doi:10.19132/1807-8583202049.305-318
    Article. View on figshare.
  • Stainforth, E., & Walton, J. L. (2019). Computing utopia: The horizons of computational economies in history and science fiction. Science-Fiction Studies, 46, 471-489. doi:10.5621/sciefictstud.46.3.0471
    Article. View online.
  • Webb, S. (2019). Preserving the queer in Brighton “archive”. In LGBTQ Oral History Project Sharing. London Metropolitan Archives.
    Presentation. View on figshare.
  • O'Riordan, K. (2019). Life and the technological: cyborgs, companions and the chthulucene. Auto/Biography Studies, 34(3), 387-402. doi:10.1080/08989575.2019.1664181
    Article. View on figshare.
  • Jordan, T. (2019). Doing digital social (and cultural and media) research: what stays the same when everything changes?. Journal of Digital Social Research, 1(1), 25-30. doi:10.33621/jdsr.v1i1.9
    Article. View on figshare.
  • Eldridge, A. (2019, August 15). BirdBath [Exhibition]. St Michael's Church, Newhaven.
    Show/Exhibition. View on figshare.
  • Carruthers-Jones, J., Eldridge, A., Guyot, P., Hassal, C., & Holmes, G. (2019). The call of the wild: investigating the potential for ecoacoustic methods in mapping wilderness areas. Science of The Total Environment, 695, 133797 ( pages). doi:10.1016/j.scitotenv.2019.133797
    Article. View on figshare.
  • Rommetveit, K., Van Dijk, N., Gunnarsdóttir, K., O'Riordan, K., Gutwirth, S., Strand, R., & Wynne, B. (2019). Working responsibly across boundaries? Some practical and theoretical lessons. In Handbook of Responsible Innovation (pp. 83-100). Edward Elgar Publishing. doi:10.4337/9781784718862.00012
    Chapter. View on figshare.
  • Bassett, C., & Roberts, B. (2019). Automation now and then: automation fevers, anxieties and utopias. New Formations: A Journal of Culture, Theory, Politics, 98, 9-28. doi:10.3898/NEWF:98.02.2019
    Article. View on figshare.
  • Hughes, E. (2019). Flint [Composition].
    Composition. View on figshare.
  • Webb, A. (2019). The sound of revolution: BBC monitoring and the Hungarian uprising, 1956. Media History, 25(4), 446-461. doi:10.1080/13688804.2019.1608170
    Article. View on figshare.
  • Sichani, A. M., Baker, J., Afanador-Llach, M. J., & Walsh, B. (n.d.). Diversity and inclusion in digital scholarship and pedagogy: the case of The Programming Historian. Insights: the UKSG journal, 32(1), 1-6. doi:10.1629/uksg.465
    Article. View on figshare.
  • Berry, D., Fazi, M. B., Roberts, B., & Webb, A. (2019). No signal without symbol: decoding the digital humanities. In Debates in the Digital Humanities 2019 (pp. 61-74). Minnesota: University of Minnesota Press.
    Chapter. View on figshare.
  • Hughes, E., Kiefer, C., Eldridge, A., & McCallum, L. (n.d.). Syncphonia. (pp. pages). AppStore.
    Other. View on figshare.
  • Webb, S. (2019). Ethics - History and Sociology. In Rethinking Disruptive Sex from the 19th to the 21st Century. London School of Hygiene and Tropical Medicine, London, UK.
    Presentation. View on figshare.
  • Berry, D., & Thorn, B. (n.d.). Reassembling the university [Composition].
    Composition. View on figshare.
  • Webb, S. (n.d.). Digital archives are helping LGBTQI communities to take ownership of their stories. (pp. pages). UK: DIVA Magazine.
    Other. View on figshare.
  • Long, S., & Baker, J. (2019). The elusive digital/critical synthesis. In Debates in Digital Humanities 2019 (pp. 195-199). University of Minnesota Press.
    Chapter. View on figshare.
  • Berry, D. (2019). Against infrasomatization: towards a critical theory of algorithms. In Data politics: worlds, subjects, rights (pp. 256.0 pages). Abingdon, Oxon: Routledge. doi:10.4324/9781315167305
    Chapter. View on figshare.
  • Arniani, M., & Fazi, M. B. (2019). Conversations on a probable future: interview with Beatrice Fazi. In A better place: towards a collective intelligence for Europe (pp. 40-44). Brussels: NGI Move Consortium.
    Chapter. View on figshare.
  • Magnusson, T. (2019). Sonic writing: technologies of material, symbolic, and signal inscriptions. New York: Bloomsbury Academic. doi:10.5040/9781501313899
    Book. View on figshare.
  • Berry, D. (2019). What are the digital humanities?. British Academy Blog, pages.
    Article. View on figshare.
  • Berry, D. (2019). Critical digital humanities. In Unknown Book (pp. pages). S&S Media.
    Chapter. View on figshare.
  • Roberts, B., & Goodall, M. (2019). New media archaeologies. Amsterdam: Amsterdam University Press. doi:10.5117/9789462982161
    Edited Book. View on figshare.
  • Roberts, B. (2019). Media archaeology and critical theory of technology. In New Media Archaeologies (pp. 155-174). Amsterdam: Amsterdam University Press. doi:10.5117/9789462982161_ch07
    Chapter. View on figshare.
  • Sheng, Z., Pfersich, S., Eldridge, A., Zhou, J., Tian, D., & Leung, V. C. M. (n.d.). Wireless acoustic sensor networks and edge computing for rapid acoustic monitoring. IEEE/CAA Journal of Automatica Sinica, 6(1), 64-74. doi:10.1109/JAS.2019.1911324
    Article. View on figshare.
  • Walton, J., & Luker, E. (Eds.) (2019). Poetry and Work: Work in Modern and Contemporary Anglophone Poetry. Palgrave.
    Edited Book.
  • Walton, J. (2019). Crime Fiction and Ecology. Green Letters: Studies in Ecocriticism.
    Edited Special Journal Issue.

2018

  • Polymeneas-Liontiris, A., Eldridge, A., Kiefer, C., & Magnusson, T. (2018, June 14). The ensemble as expanded interface sympoetic performance in the Brain Dead Ensemble. In Proceedings: ICLI 2018, 4th International Conference on Live Interfaces. Inspiration, Performance, Emancipation. (pp. 117-125). Porto: Universidade do Porto.
    Conference publication. View on figshare.
  • Chevalier, C., & Kiefer, C. (2018, June 14). Listening mirrors: prototyping for a hybrid audio augmented reality installation. In Proceedings: ICLI 2018, 4th International Conference on Live Interfaces. Inspiration, Performance, Emancipation. (pp. 126-132). Porto, Portugal.
    Conference publication. View on figshare.
  • Berry, D. (2018). Weizenbaum, ELIZA and the end of human reason. In Hello, I’m Eliza: 50 Jahre Gespräche mit Computern (pp. 53-70). Berlin: Projektverlag.
    Chapter. View on figshare.
  • O'Riordan, K. (2018). Wearable technologies and material communication practices. In Appified: culture in age of apps (pp. 115-124). University of Michigan Press. doi:10.3998/mpub.9391658
    Chapter. View on figshare.
  • Fazi, M. B. (2018). Contingent computation: abstraction, experience, and indeterminacy in computational aesthetics. Lanham: Rowman & Littlefield International.
    Book. View on figshare.
  • Baker, J., & Geiringer, D. (n.d.). Space, text and selfhood: encounters with the personal computer in The Mass Observation project archive, 1991-2004. Contemporary British History, pages. doi:10.1080/13619462.2018.1539828
    Article. View on figshare.
  • Conway, M., Khawaja, M., Lakhani, S., Reffin, J., Robertson, A., & Weir, D. (2019). Disrupting Daesh: measuring takedown of online terrorist material and its impacts. Studies in Conflict & Terrorism, 42(1-2), 141-160. doi:10.1080/1057610X.2018.1513984
    Article. View on figshare.
  • Hanrahan, F., Hughes, E., Banerjee, R., Eldridge, A., & Kiefer, C. (2019). Psychological benefits of networking technologies in children’s experience of ensemble music making. International Journal of Music Education, 37(1), 59-77. doi:10.1177/0255761418796864
    Article. View on figshare.
  • Webb, S. (2018). The messy edge of community archives. In The Messy Edge, Brighton Digital Festival. The Attenborough Centre for Creative Arts.
    Presentation. View on figshare.
  • Chevalier, C., & Kiefer, C. (2018, September 22). Listening mirrors 1.0, at Fort Process Sound Art Festival [Exhibition]. Newhaven.
    Show/Exhibition. View on figshare.
  • Eldridge, A., Guyot, P., Moscoso, P., Johnston, A., Eyre-walker, Y., & Peck, M. (2018). Sounding out ecoacoustic metrics: avian species richness is predicted by acoustic indices in temperate but not tropical habitats. Ecological Indicators, 95(1), 939-952. doi:10.1016/j.ecolind.2018.06.012
    Article. View on figshare.
  • Webb, S. (2018). “Digital Archives in Communities – Practice and Preservation” : a Summary (or at least an attempt). Digital Preservation Coalition.
    Blog. View on figshare.
  • Braybrooke, K., & Smith, A. (2018). [Introduction] Liberatory technologies for whom? Exploring a new generation of makerspaces defined by institutional encounters. Journal of Peer Production, 12(1), 1-13.
    Article. View on figshare.
  • Hitchcock, T. (n.d.). Digital affordances for criminal justice history. Crime, History & Society, 21(2), 335-342.
    Article. View on figshare.
  • Eldridge, A., & Kiefer, C. (2018). Toward a synthetic acoustic ecology: sonically situated, evolutionary agent based models of the acoustic niche hypothesis. In Proceedings of the Artificial Life Conference (ALIFE 2018) (pp. 296-303). Tokyo, Japan: MIT Press. doi:10.1162/isal_a_00059
    Conference publication. View on figshare.
  • Damiani, L. M., Braybrooke, K., & Sage, J. P. (2018). Temporary techno-social gatherings? A (hacked) discussion about open practices. In Proceedings of EVA London 2018 (pp. 263-271). London, UK: BCS Learning and Development Ltd. doi:10.14236/ewic/EVA2018.52
    Conference publication. View on figshare.
  • Braybrooke, K. (2018). Hacking the museum? Practices and power geometries at collections makerspaces in London. Journal of Peer Production, 2(12), 40-59.
    Article. View on figshare.
  • Webb, S. (2018). Community archives, preservation and practice. In DH2018. Mexico City.
    Presentation. View on figshare.
  • Eldridge, A., Kiefer, C., Magnusson, T., & Polymeneas-Liontiris, A. (2018, June 14). Brain Dead Ensemble: an acoustically networked feedback assemblage of four [Performance]. Porto, Portugal.
    Performance. View on figshare.
  • Carruthers-Jones, J., Eldridge, A., & Norum, R. (n.d.). Making sense of the wild: integrated participatory mapping for understanding community relationships to dynamic mountain landscapes. Poster session presented at the meeting of 5th European Congress of Conservation Biology.
    Poster. View on figshare.
  • Hendy, D. (n.d.). Afterword radio modernisms: features, cultures and the BBC. Media History, 24(2), 283-287. doi:10.1080/13688804.2018.1471591
    Article. View on figshare.
  • Fazi, M. B. (2019). Digital aesthetics: the discrete and the continuous. Theory, Culture & Society, 36(1), 3-26. doi:10.1177/0263276418770243
    Article. View on figshare.
  • Cope, J., & Baker, J. (2017). Library carpentry: software skills training for library professionals. International Journal of Data Curation, 12(2), 266-273. doi:10.2218/ijdc.v12i2.576
    Article. View on figshare.
  • Hendy, D. (2018). The BBC: a brief future history, 2017-2022. In A future for public service television (pp. 102-110). London: Goldsmiths Press.
    Chapter. View on figshare.
  • Sloyan, V., Demissie, S., Eveleigh, A., & Baker, J. (2018). Overview of a born-digital archives access workshop held at Wellcome Collection. The Wellcome Trust. doi:10.6084/m9.figshare.6087194.v1
    Reports and working papers. View on figshare.
  • Fazi, M. B. (2018). Digital philosophy. In Posthuman glossary (pp. 104-107). London: Bloomsbury Academic.
    Chapter. View on figshare.
  • Bassett, C. (2019). The computational therapeutic: exploring Weizenbaum's ELIZA as a history of the present. AI and Society, 34(4), 803-812. doi:10.1007/s00146-018-0825-9
    Article. View on figshare.
  • Fazi, M. B. (2019). Can a machine think (anything new)? Automation beyond simulation. AI & Society, 34(4), 813-824. doi:10.1007/s00146-018-0821-0
    Article. View on figshare.
  • Ficarra, E., & Winters, I. (2018, January 26). Summer, winter, spring [Exhibition]. San Francisco Arts Education Gallery, Minnesota Street Project.
    Show/Exhibition. View on figshare.
  • Thomson, R., Berriman, L., & Bragg, S. (2018). Researching everyday childhoods: time, technology and documentation in a digital age. London: Bloomsbury Academic. doi:10.5040/9781350011779
    Book. View on figshare.
  • Berriman, L., Howland, K., & Courage, F. (2018). Recipes for co-production with children and young people. In Time, Technology and Documentation in a Digital Age (pp. 139-162). Bloomsbury. doi:10.5040/9781350011779.ch-008
    Chapter. View on figshare.
  • Walton, J. L., & Walton, S. (2018). Introduction to Green Letters: Crime Fiction and Ecology. Green Letters, 22(1), 2-6. doi:10.1080/14688417.2018.1484628
    Article. View online.
  • Walton, J. L. (2018). Public Money and Democracy. In ECONOMIC SCIENCE FICTIONS (pp. 341-368). Retrieved from https://www.webofscience.com/
    Chapter.
  • Walton, J., & Luker, E. (2018). Poetry and Secrecy. JOURNAL OF BRITISH AND IRISH INNOVATIVE POETRY, 10(1). doi:10.16995/biip.77
    Article. View online.
  • Walton, J. (2018). Secret Poetry. Journal of British and Irish Innovative Poetry.
    Edited Special Journal Issue.

2017

  • Webb, S., Kiefer, C., Jackson, B., Baker, J., & Eldridge, A. (2017). Mining oral history collections using music information retrieval methods. Music Reference Services Quarterly, 20(3-4), 168-183. doi:10.1080/10588167.2017.1404307
    Article. View on figshare.
  • Fazi, M. B. (2017). The ends of media theory. Media Theory, 1(1), 107-121.
    Article. View on figshare.
  • Berry, D. (2017). Théorie crititique des algorithmes. In La Toile que nous voulons (pp. 256.0 pages). Paris: FYP Éditions.
    Chapter. View on figshare.
  • Godfrey, B., Shoemaker, R., Hitchcock, T., Oxley, D., & Maxwell-Stewart, H. (2017). [Website] The Digital Panopticon: the global impact of London's punishments, 1780-1925. (pp. pages). Digital Humanities Institute, University of Sheffield.
    Other. View on figshare.
  • Berry, D. (2017). Prolegomenon to a media theory of machine learning. Media Theory, 1(1), 74-87.
    Article. View on figshare.
  • Baker, J. (n.d.). Fostering Digital History: integrating digital research skills into an undergraduate History curriculum. Brighton, UK: University of Sussex.
    Reports and working papers. View on figshare.
  • Hitchcock, T. (2017). The body in the workhouse: death, burial, and belonging in early Eighteenth-Century St Giles in the Fields. In Suffering and happiness in England 1550-1850: narratives and representations: a collection to honour Paul Slack (pp. 153-173). Oxford: Oxford University Press.
    Chapter. View on figshare.
  • Berry, D. (2017). The heteronomy of algorithms: traditional knowledge and computational knowledge. In Ouvrir, partager, réutiliser. Regards critiques sur les données numériques (pp. pages). Paris: Éditions de la Maison des sciences de l’homme. doi:10.4000/books.editionsmsh.9026
    Chapter. View on figshare.
  • Crymble, A., Dennett, A., & Hitchcock, T. (2018). Modelling regional imbalances in English plebeian migration to late eighteenth-century London. Economic History Review, 71(3), 747-771. doi:10.1111/ehr.12569
    Article. View on figshare.
  • O'Riordan, K., Parker, J., Harrison, D., & Devereaux, E. (2017). Making sense of sensors. Digital Culture and Society, 3(1), 147-158. doi:10.14361/dcs-2017-0110
    Article. View on figshare.
  • Jordan, T., & Braybrooke, K. M. (2017). Genealogy, culture and technomyth: decolonizing western information technologies, from open source to the maker movement. Digital Culture and Society, 3(1), 25-46. doi:10.14361/dcs-2017-0103
    Article. View on figshare.
  • Berry, D., & Fagerjord, A. (2017). Digital humanities: knowledge and critique in a digital age. Cambridge: Polity Press.
    Book. View on figshare.
  • Richterich, A. (2019). Hacking events: project development practices and technology use at hackathons. Convergence, 25(5-6), 1000-1026. doi:10.1177/1354856517709405
    Article. View on figshare.
  • Eldridge, A., & Kiefer, C. (2017). The self-resonating feedback cello: interfacing gestural and generative processes in improvised performance. In Proceedings of New Interfaces for Music Expression 2017 Vol. 2017 (pp. 25-29). Copenhagen, Denmark: Aalborg University Copenhagen.
    Conference publication. View on figshare.
  • Terras, M., Baker, J., Hetherington, J., Beavan, D., Welsh, A., O'Neill, H., . . . Farquhar, A. (2018). Enabling complex analysis of large-scale digital collections: humanities research, high performance computing, and transforming access to British Library digital collections. Digital Scholarship in the Humanities, 33(2), 456-466. doi:10.1093/llc/fqx020
    Article. View on figshare.
  • Berry, D. (2017). Phenomenological approaches to the computal: some reflections on computation. In Conditions of ediation: phenomenological perspectives on media (pp. 75-83). New York: Peter Lang.
    Chapter. View on figshare.
  • Baker, J. (2017). The business of satirical prints in Late-Georgian England. Switzerland: Palgrave Macmillan. doi:10.1007/978-3-319-49989-5
    Book. View on figshare.
  • Wilson, R. C., Butters, O. W., Avraam, D., Baker, J., Tedds, J. A., Turner, A., . . . Burton, P. R. (2017). DataSHIELD – new directions and dimensions. Data Science Journal, 16(21), 1-21. doi:10.5334/dsj-2017-021
    Article. View on figshare.
  • Robinson, L., Lincoln, S., Webb, P., Worley, M., Gildart, K., Osgerby, B., . . . Street, J. (2017). Youth culture and social change: making a difference by making a noise. UK: Palgrave.
    Edited Book. View on figshare.

2016

  • Norman, S. J. (n.d.). Setting live coding performance in wider historical contexts. International Journal of Performance Arts and Digital Media, 12(2), 117-128. doi:10.1080/14794713.2016.1227600
    Article. View on figshare.
  • Baker, J., Alegre, R., Moore, C., Priego, E., Cope, J., Price, L., . . . Wilson, G. (2016). Library Carpentry: software skills training for library professionals. LIBER Quarterly, 26(3), 141-162. doi:10.18352/lq.10176
    Article. View on figshare.
  • Berry, D. (2016). The post-archival constellation: the archive under the technical conditions of computational media. In Memory in Motion. Archives, Technology, and the Social (pp. 103-125). Amsterdam: Amsterdam University Press. doi:10.5117/9789462982147
    Chapter. View on figshare.
  • Mowlabocus, S. (2016). The 'mastery' of the swipe: smartphones, transitional objects and interstitial time. First Monday, 21(10), 1-27. doi:10.5210/fm.v21i10.6950
    Article. View on figshare.
  • Eldridge, A., & Kiefer, C. (2016). Continua: a resonator-feedback-cello duet for live coder and cellist. In xCoAx 2016: Proceedings of the Fourth Conference on Computation, Communication, Aesthetics and X (pp. 398-401). Italy: xCoAx.
    Conference publication. View on figshare.
  • Norman, S. -J. (2016). Between grammatization and live movement sampling. In Transmission in motion: the technologizing of dance (pp. 185-198). London: Routledge.
    Chapter. View on figshare.
  • Guyot, P., Eldridge, A., Eyre-Walker, Y. C., Johnston, A., Pellegrini, T., & Peck, M. (2016). Sinusoidal modelling for ecoacoustics. In Proceedings of Interspeech 2016 (pp. 2602-2606). San Fransisco: ISCA (the International Speech Communication Association). doi:10.21437/Interspeech.2016-361
    Conference publication. View on figshare.
  • Hitchcock, T., & Turkel, W. J. (2016). The Old Bailey Proceedings, 1674–1913: text mining for evidence of court behavior. Law and History Review, 34(4), 929-955. doi:10.1017/S0738248016000304
    Article. View on figshare.
  • Webb, S., & Grant, R. (2016, July 11). Preserving Ireland’s Digital Cultural Identity towards 2116. In Digital Humanities 2016: Conference Abstracts (pp. 706-707). Jagiellonian University & Pedagogical University, Kraków: Jagiellonian University & Pedagogical University, Kraków.
    Conference publication. View on figshare.
  • Norman, S. -J. (2016). Mothers of invention: an afterword. Contemporary Music Review, 35(1), 150-160. doi:10.1080/07494467.2016.1176770
    Article. View on figshare.
  • Eldridge, A., Casey, M., Moscoso, P., & Peck, M. (2016). A new method for ecoacoustics? Toward the extraction and evaluation of ecologically-meaningful soundscape components using sparse coding methods. PeerJ, 4, 1-23. doi:10.7717/peerj.2108
    Article. View on figshare.
  • Moscoso, P., Peck, M., & Eldridge, A. (2016). Human perception of soundscape across cultures: from forest to urban landscapes. In International Society of Ecoacoustics International Society of Ecoacoustics Ecoacoustics Congress 2016. Michigan, US.
    Presentation. View on figshare.
  • Eldridge, A., Hughes, E., & Kiefer, C. (2016). Designing dynamic networked scores to enhance the experience of ensemble music making. In Proceedings of Second International Conference on Technologies for Music Notation and Representation (pp. 193-199). Cambridge: Anglia Ruskin University.
    Conference publication. View on figshare.
  • Fazi, M. B. (2016). 'Black-boxed' [Review] Mark B. N. Hansen (2015) Feed-forward: on the future of twenty-first-century media. Radical Philosophy, (197), 64-66.
    Article. View on figshare.
  • Fazi, M. B. (2016). [Review] David M. Berry and Michael Dieter (eds) (2015) Postdigital aesthetics: art, computation and design. Theory, Culture and Society, pages.
    Article. View on figshare.
  • Norman, S. J. (n.d.). Senses of liveness for digital times. IETM Publications, pages.
    Article. View on figshare.
  • Rattanarungrot, S., White, M., & Jackson, B. (n.d.). The application of service orientation on a mobile AR platform — a museum scenario. In Proceedings of the 2015 Digital Heritage International Congress (pp. pages). IEEE.
    Chapter. View on figshare.
  • Fazi, M. B., & Fuller, M. (2016). Computational aesthetics. In A companion to digital art (pp. 281-296). Hoboken, NJ: Wiley Blackwell. doi:10.1002/9781118475249.ch11
    Chapter. View on figshare.
  • Roberts, B. (2016). An ‘exemplary contemporary technical object’: thinking cinema between Hansen and Stiegler. New Formations, 88(Autumn), 88-104. doi:10.3898/NEWF.88.06.2016
    Article. View on figshare.
  • Baker, J. (2016). A history of History through the lens of our digital present, the traditions that shape and constrain data driven historical research, and what librarians can do about it. In Laying the Foundation: Digital Humanities in Academic Libraries (pp. 214.0 pages). Indiana, United States: Purdue University Press.
    Chapter. View on figshare.
  • Baker, J. (2016). The Covent Garden Old Price riots: protest and justice in late-Georgian London. Open Library of Humanities, 2(1), 1-36. doi:10.16995/olh.13
    Article. View on figshare.
  • Fazi, M. B. (2016). Incomputable aesthetics: open axioms of contingency. Computational Culture: a journal of software studies, 2016(5), 1-33.
    Article. View on figshare.
  • Norman, S. -J. (2016). Dancing on Occam's razor: expressive movement in/and place. In Multimodality and performance (pp. 228.0 pages). Newcastle upon Tyne: Cambridge Scholars Publishing.
    Chapter. View on figshare.

2015

  • Grant, R., Bustillo, M., & Webb, S. (2015). A consideration of copyright for a national repository of humanities and social science data. Library and Information Research, 39(121), 22-40. doi:10.29173/lirg671
    Article. View on figshare.
  • Webb, S. (2015). Requirements and national digital infrastructures: digital preservation in the humanities. Breac: A Digital Journal of Irish Studies, pages.
    Article. View on figshare.
  • Berry, D., Belfrage, C., & Bergmann, E. (2015). A critique of neo-mercantilist analyses of Icelandic political economy and crisis. Capital and Class, 39(3), 515-536. doi:10.1177/0309816815602082
    Article. View on figshare.
  • Eldridge, A. (2015). You pretty little flocker: exploring the aesthetic state space of creative ecosystems. Artificial Life, 21(3), 289-292. doi:10.1162/ARTL_a_00169
    Article. View on figshare.
  • Norman, S. -J. (2015). Oskar Schlemmer's programmatic gesture research. In Digital movement: essays in motion technology and performance (pp. 21-34). London: Palgrave Macmillan.
    Chapter. View on figshare.
  • Norman, S. J. (2015). Reflection II: on/ during/ since the Landscape Quartet Symposium, Culture Lab, Newcastle University, 4-5th July 2013. Contemporary Music Review, 34(4), 312-315. doi:10.1080/07494467.2016.1140470
    Article. View on figshare.
  • Berry, D., & Galloway, A. R. (2015). A network is a network is a network: reflections on the computational and the societies of control. Theory, Culture & Society, 33(4), 151-172. doi:10.1177/0263276415590237
    Article. View on figshare.
  • Burns, R., Bassett, C., O'Riordan, K., & Glasson, R. (2015). The tablet book. Falmer: REFRAME Books.
    Edited Book. View on figshare.
  • Norman, S. J. (2015). Theater and ALife Art: modeling Open and closed systems. Artificial Life, 21(3), 344-353. doi:10.1162/ARTL_a_00175
    Article. View on figshare.
  • Eldridge, A. (2015). [Reflection] Inside and outside shape. In Music and shape (pp. 165-169). New York: Oxford University Press. doi:10.1093/oso/9780199351411.003.0011
    Chapter. View on figshare.
  • Norman, S. -J. (2015). Location and navigation: wayfaring and arts of tuning. In ISEA 2014 Conference Proceedings (pp. 36-41). Dubai: Zayed University Books.
    Chapter. View on figshare.
  • Berry, D. (2015). Subjectivités computationnelles. Multitudes, 57, 196-205.
    Article. View on figshare.
  • Walton, J., & Luna, J. (Eds.) (2015). On the Late Poetry of J.H. Prynne.
    Edited Book.
  • Berry, D., Borra, E., Helmond, A., Plantin, J. C., & Rettberg, J. W. (2015). The data sprint approach: exploring the field of digital humanities through Amazon’s Application Programming Interface (API). Digital Humanities Quarterly, 9(4), pages.
    Article. View on figshare.

2014

  • Parisi, L., & Fazi, M. B. (2014). Do algorithms have fun? On completion, indeterminacy and autonomy in computation. In Fun and software: exploring pleasure, paradox and pain in computing (pp. 109-127). New York and London: Bloomsbury Academic.
    Chapter. View on figshare.

2013

  • Braybrooke, K., Nissilä, J., & Vuorikivi, T. (2013). The open book (Vol. 3). London: The Finnish Institute in London.
    Edited Book. View on figshare.

2011

  • Fazi, M. B. (2011). Cybernetics in action. [Review] Andrew Pickering (2010) The cybernetic brain: sketches of another future. Computational Culture: a journal of software studies, (1), pages.
    Article. View on figshare.
  • Fazi, M. B. (2011). Soft computing: forms and limits in computational aesthetics. In ISEA 2011 Istanbul - The 17th International Symposium on Electronic Art. Istanbul, Turkey.
    Presentation. View on figshare.
  • Webb, S., & Castle, E. (2020, February 21). Queer codebreakers 2.0 [Exhibition]. Brighton and Hove museum and gallery.
    Show/Exhibition. View on figshare.

Unpublished works

  • Stockdale, J. (2022, October 31). The disease burden of global anthropogenic landscape change morally obliges individuals to share their personal data for health research: a policy project utilizing philosophical investigation and stakeholder discussion. In Planetary Health Annual Meeting (pp. pages). Harvard Medical School.
    Conference publication.