What if I had been the Hero? Investigating Women's Cinema, Palgrave Macmillian.

Cannonicalism and the Computational Turn

in Understanding Digital Humanities:The Computational Turn and New Technology London: Palgrave Macmillan.

Michael Bull 

Seb Franklin

‘Humans and/as Machines: Beckett and Cultural Cybernetics’, in Textual Practice 26:6 (forthcoming winter 2012)

Intersectionality Queer Studies and Hybridity: Methodological Frameworks for Social Research. Journal of International Women's Studies, 13 (2). pp. 19-32.

Kate O'Riordan

• Making biodigital publics: personal genomes as digital media artifacts, Science as Culture

2011

Caroline Bassett

• Is this Not a Screen?: Notes on the Mobile Phone and Cinema Marsha Kinder, Tara McPherson, ed., in Interactive Frictions: A Decade of Discourse on Digital Culture University of California Press, Awaiting Publication
• Twittering Machines in Differences Volume 22, (2-3).

James Bennet and Niki Strange (eds)

Television as Digital Media, Duke University Press.

Sally-Jane Norman

• An arts centre for Sussex: from the Gardner to the Attenborough Professor Fred Gray, ed., in Making the Future: A History of the University of Sussex pp. 304-318
• Creative methodologies for understanding a creative industry (with Ted Fuller, Lorraine Warren) Colette Henry, Anne de Bruin, ed., in Entrepreneurship and the Creative Economy: Process, Policy and Practice Cheltenham, UK; Northampton, USA: Edward Elgar pp. 79-96 ISBN 978-1-84844-769-1
• Motion in place: archaeological reconstruction and motion capture (co-author with Bailey, H., Barker, L., Clarke, A., Dunn, S., Fulford, M., Hedges, M., Taylor, M., White, M., Woolford, K.) in CAA 2011: Computer Applications and Quantitative Methods in Archeology, Awaiting Publication - Confirmed by Publisher

• Shifting Media Culture Perspectives Cathy Brickwood, Annette Wolfsberger, ed., in Practice to Policy: International Perspectives on the Policy Implications of a Cultural Sector in Transition Rotterdam: Virtueel Platform pp. 7-17 ISBN 978-94-90108-00-7.

Kate O'Riordan

• From Hypothetical Genes to Biodigital Materialisation. Open Humanities Press
• Revisiting digital technologies: envisioning biodigital bodies in Communications: European Journal of Communication Research Volume 36 pp. 291-312
• Writing Biodigital Life: Personal Genomes and Digital media in Biography

Kirk Woolford

• Motion in Place Platform: Virtual (Re)Presentations of Iron Age Movement (with Dunn, S) in Leonardo Electronic Almanac, Awaiting Publication - In Press
• Motion in place: archaeological reconstruction and motion capture (with Bailey, H., Barker, Leon, Dr, Clarke, A., Dunn, S., Fulford, M., Hedges, M., Norman, Sally-Jane, Prof, Taylor, M., White, Martin, Dr) in CAA 2011: Computer Applications and Quantitative Methods in Archeology, Awaiting Publication - In Press

2010

Caroline Bassett

• Digital Media in The Year's Work in Critical & Cultural Theory. Oxford JournalsThe full-text of Digital Media.
• Shulamith Firestone: Technology and Utopia In: Mandy Merck and Stella Sandford eds. Further Adventures of the Dialectic of SexPalgrave

Michael Bull

• Pods e Anti-flanerei:estetizando a cidade no seculo XXI in Ecus. Cadernos de Pesquisa, Brazil No2.
• The Toxic Pleasures  of  Total Mediation? Mobile  Music  and the  Auditory Reconfiguration of  UsersExperience in Comunicar, Latin American Scientific Journal of  Media  Education.

Sharif Mowlabocus

• Gaydar Culture: Gay Men, Technology and Embodiment in the Digital Age. 2010, Abingdon, Ashgate.
• ‘Look at Me! Images, Validation and Cultural Currency on Gaydar’ in Pullen, C. & Cooper, M. (eds.) LGBT Identity and New Online Media. 2010, New York, Routledge.
• 'Porn 2.0? Technology, Social Practice and the New Online Porn Industy' in Attwood, F. Porn.com: Making Sense of Online Pornography. 2010, Peter Lang.

Norman, Sally Jane

• 'Gesture and embodied interaction: capturing motion/ data/ value' (with Blackwell, Alan; Warren, Lorraine; Woolford, Kirk). 2010, Leonardo Transactions.

Kate O'Riordan

• The Genome Incorporated: Constructing Biodigital Identity. 2010, London: Ashgate.
• 'Virtual Believers: Queer Spiritual Practice Online' (with White, Heather) in Kath Browne, Sally R Munt, Andrew Yip, ed., Queer Spiritual Spaces. 2010, London: Ashgate.

Kirk Woolford

• Crafting a Critical Technical Practice (with Blackwell, Alan, Cecile Chevalier, Sally-Jane Norman). 2010, Leonardo Volume 43 pp. 202-203
• Gesture and Embodied Interaction: Capturing Motion/Data/Value (with Blackwell, Alan, Kirk Woolford, Sally-Jane Norman, Warren, Lorraine). 2010, Leonardo Volume 43 pp. 198-199.

2009

Aristea Fotopoulou

• Translocal Connectivity and Political Identity: Brighton Queer Cultural Activism in Nico Carpentier et al. (eds) Communicative approaches to politics and ethics in Europe. ISBN 978-9949-19-250-2
  

Sharif Mowlabocus

• 'Revisiting Old Haunts Through New Technologies: Public (Homo)Sexual Cultures in Cyberspace' in 2009, International Journal of Cultural Studies.
• 'Hard Times and Rough Rides: The Legal and Ethical Impossibilities of Researching 'Shock' Porn', (with Jones, S.), in 2009, Sexualities Vol. 12, No. 5, pp. 613-628

Sally Jane Norman

• AMUC: Associated Motion Capture User Categories (with Lawson, S et al) in Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences pp. 2771-2780.

2008

Michael Bull

• Sound Moves. iPodCulture and  Urban  Experience.(2007/8) Karl Mannhein International Library  of Sociology Series. London, Routlege.

Catherine Grant

• Auteur machines? Auteurism and the DVD' in James Bennett and Tom Brown (eds), Film and Television After DVD (London and New York: Routledge, 2008)