Selected publications


Mroz, Matilda (2017) [Review] Catherine Fowler, Claire Perkins & Andrea Rassell (2017) Dead Time. [in]Transition: Journal of Videographic Film & Moving Image Studies, 4 (3). ISSN 2469-4312

Mroz, Matilda (2017) [Review] Peter Kravanja and Ruben Vandersteen [2017] 'The fire and the rose are one'. Motifs of Tarkovsky. [in]Transition: Journal of Videographic Film & Moving Image Studies, 4 (4).

Mroz, Matilda (2016) Framing loss and figuring grief in Pawel Pawlikowski’s Ida. Screening the Past (41). pp. 1-13. ISSN 1328-9756

Mroz, Matilda (2016) Editorial: special issue on the body. Studies in Eastern European Cinema, 7 (2). ISSN 2040-350X

Mroz, Matilda (2016) 'Transnational Holocaust histories in film' [Review] Malgorzata Pakier (2013) The construction of European Holocaust memory: German and Polish cinema after 1989. Studies in Eastern European Cinema, 7 (2). pp. 177-179. ISSN 2040-350X

Mroz, Matilda (2015) [Review] Marek Haltof (2012) Polish film and the Holocaust: politics and memory. Film-Philosophy, 19. ISSN 1466-4615

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, the General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X

Mroz, Matilda (2009) [Review] Mary P. Wood (2007) Contemporary European cinema. European Legacy, 14 (7). 896 -898. ISSN 1084-8770

Mroz, Matilda (2009) Walkover (Jerzy Skolimowski). Senses of Cinema, 51. ISSN 1443-4059

Mroz, Matilda (2007) Fracturing the marble façade: visceral excavation in Andrzej Wajda’s Man of Marble. Senses of Cinema, 43. ISSN 1443-4059


Mroz, Matilda (2013) Temporality and film analysis. Edinburgh University Press. ISBN 9780748685912

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press. ISBN 9780745676128

Book Section

Mroz, Matilda (2017) Film in full gallop: aesthetics and the equine in Poland’s epic cinema. In: Ostrowska, Dorota, Pitasso, Francesco and Varga, Zsuzsanna (eds.) Popular cinemas in East Central Europe: film cultures and histories. I B Tauris, pp. 173-183.

Mroz, Matilda (2016) Spectral cinema: anamorphosis and the haunted landscapes of Aftermath and The devil’s backbone. In: Heholt, Ruth and Downing, Niamh (eds.) Haunted landscapes: super-nature and the environment. Place, Memory, Affect . Rowman & Littlefield Publishers, London, pp. 41-58. ISBN 9781783488810

Mroz, Matilda (2016) Displacement, suffering and mourning: post-war landscapes in contemporary Polish cinema. In: Brouwer, Sander (ed.) Contested Interpretations of the Past in Polish, Russian and Ukrainian Film: Screen as Battlefield. Studies in Slavic Literature and Politics (60). Brill. ISBN 9789004311725

Mroz, Matilda (2015) Performing evolution: immersion, unfolding, and Lucille Hadzihalilovic’s Innocence. In: de Luca, Tiago and Jorge, Nuno (eds.) Slow Cinema. Traditions in World Cinema . Edinburgh University Press. ISBN 9780748696048

Mroz, Matilda (2014) The aesthetics of overflow: Andrei Tarkovsky's Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pam (eds.) The cinema of the swimming pool. New studies in European cinema (17). Peter Lang. ISBN 9783034317832

Mroz, Matilda (2013) Re-imagining the neighbour: Polish-Jewish relations in contemporary Polish visual culture. In: Bangert, Axel, Gordon, Robert and Saxton, Libby (eds.) Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Moving Image (4). Legenda. ISBN 9781907975028

Edited Book

Mroz, Matilda, Mazierska, Ewa and Ostrowska, Elzbieta, eds. (2016) The cinematic bodies of Eastern Europe and Russia: between pain and pleasure. Edinburgh University Press, Edinburgh. ISBN 9781474405140