Prof Sally-Jane Norman
|Post:||Professor of Performance Technologies (Media and Film, Music)|
|Other posts:||Director (Sussex Humanities Lab)|
|Location:||ARTS B B156|
|Internal:||3339 or 3667|
|UK:||01273 873339 or 01273 873667|
|International:||+44 1273 873339 or +44 1273 873667|
|download vCarddownload vCard to your mobile|
After obtaining an MA at the University of Canterbury, Aotearoa/ New Zealand, I received a Doctorat de 3ème cycle (1980) and Doctorat d'état (1990) from the Institut d'études théâtrales, Université de Paris III. My work on art and technology has involved collaboration and publications with organisations including the Performing Arts Laboratory of the Centre national de la recherche scientifique, Unesco, and the French Ministry of Culture, and navigation between theory and practical experimentation (for documentation of practice-led projects, see sallyjanenorman.net). In 1993 I directed the Louvre “New Images and Museology” conference, and have led research initiatives for organisations including the International Institute of Puppetry (Charleville-Mézières), Zentrum für Kunst und Medientechnologie (Karlsruhe) where I worked on European Framework Information Society Technology projects, and the Studio for Electro-Instrumental Music (Amsterdam) where I was Artistic Co-Director from 1998-2000. As Director General of the Ecole européenne supérieure de l'image (Angoulême/ Poitiers), I piloted the school's administrative transformation and multi-million euro funding scheme, and launched a practice-based Digital Arts PhD programme. I then moved to Newcastle University to found and direct Culture Lab which opened in 2006 as a SRIF-funded interdisciplinary research facility, and was awarded £12M as a Digital Economy hub in 2009. In January 2010 I came to Sussex to found the Attenborough Centre for the Creative Arts, an interdisciplinary resource and major capital refurbishment project due to open in autumn 2015. Since January 2015 I am employed as a co-founder of the Sussex Humanities Lab, directed by Professor Caroline Bassett, where I lead the "Digital Technologies/ Digital Performance" research strand.
International links include roles as Honorary Professor with the National Academy of Chinese Theatre Arts in Beijing, Visiting Professor with the University of Peking, Visiting Fellow in the University of Porto's M4M - Music for Media - network, and co-founder and regular jury member for the Vida Art and Artificial Life Competition launched in 1999 by Fundación Telefónica in Madrid. I am also member of the Scientific and Artistic Advisory Board of School of Arts, Design and Architecture for Aalto University in Finland.
In addition to regularly reviewing grant applications for UK Research Councils, I ensure expert/ reviewer roles for international bodies including the European Research Council, Agence Nationale de la Recherche (France), Canadian Social Sciences and Humanities Research Council, Swiss National Science Foundation, and Programm zur Entwicklung und Erschliessung der Künste in Austria. Research advisory missions have additionally involved the Swedish Strategic Research Foundation, Portuguese Foundation of Science & Technology, Fonds québécois de recherche sur la société et la culture, and Conseil de Recherche at the French Ministry of Culture.
Professor of Performance Technologies
Sussex Humanities Lab Co-Director. Leader of Digital Technologies/ Digital Performance Strand http://www.sussex.ac.uk/shl
Community and Business
Trustee engagements to date have included roles with the AV Festival (Newcastle-Gateshead), The Public (West Bromwich), Sonic Acts International Advisory Board (Amsterdam), Mute Advisory Board (http://www.metamute.org), and DanceDigital (Essex). I undertake lobbying and policy interventions at numerous national and international levels.