Alice in Wonderland film with live music by the New Music Players
New Music Players:
150 years of Alice in Wonderland and 5 world premieres
Thursday 24 September 2015 at 7pm
Meeting House, University of Sussex, Falmer, Brighton BN1 9RH
Friday 25 September 2015 at 7.30pm
The Warehouse, 13 Theed Street, Waterloo, London SE1 8ST
Tickets on the door £10, concession £6 (free for under 16s)
All tickets half price for University of Sussex students and staff
New Music Players mark 150 years since the publication of Lewis Carroll’s Alice in Wonderland with two concerts of new music for very early silent film by founder and artistic director Ed Hughes plus four new works for ensemble by postgraduate composers at the University of Sussex.
- World premiere of Ed Hughes’s Alice in Wonderland and Voyage to the Moon at University of Sussex on 24 September 2015
- Four new works by University of Sussex postgraduate composers Danny Bright, Barnaby Hollington, Tom Reid and Lee Westwood
- London premiere of Ed Hughes’s Night Music with pianist Richard Casey
Ed Hughes’s work over the last decade has been influenced by music and the moving image, and in particular responses to silent film. Two new works extend this interest to very early and iconic films from England and France, Cecil Hepworth and Percy Stow’s ‘Alice in Wonderland’ (1903) and George Méliès’s ‘Voyage to the Moon’ (1902) which both in different ways explore ideas of fantasy and the dreamworld, also common to Ed Hughes’s recent opera ‘When the Flame Dies’.
In Hughes’s Night Music, for solo piano and live electronics, the virtuoso and often dissonant soundworld of the piano is counterpointed with pure electronic sounds, and archive film from the aerial campaign conducted by the allies in the second world war: the intention is to revisit these difficult images in order to obtain a nuanced and reflective appreciation of their moral complexity, through the use of music and silent film.
Danny Bright’s Branch Lines is one of a number of works that explore notions of 'sonic ghosting' in relation to place, memory, and temporality. The composition responds to the experience of visiting Causey Arch, near Tanfield in County Durham, and its subsequent echoes, semblances and apparitions.
Barnaby Hollington’s Nevermore explores the boundary between tonality and so-called ‘atonality’ or ‘post-tonality’. The primary focus is melodic and harmonic. In that regard, there are numerous, disparate, very specific technical influences: Gesualdo, Mozart, Milhaud, Krenek, Messiaen, Boulez, Donatoni, Benjamin…
Tom Reid’s The Hammer Revisited derives harmonic and melodic material from the first three bars of Avant L'Artisanat Furieux (‘Before the Furious Craftsmanship’), from Le Marteau sans Maitre (‘The Hammer Unleashed’) by Pierre Boulez. The rhythmic ideas were conceived independently, with syncopated gestures and dotted dance rhythms especially prominent. In the middle section, two pulsating melodic patterns emerge - one improvisatory, the other more premeditated - and unfold at conflicting speeds. The slow pedal bass implies a third tempo, creating further disruption.
Lee Westwood writes about his …and the stars were like pinpricks in the black fabric of night… : According to Medieval scholars, the stars were believed to be holes in the firmament, through which could be seen an all-encompassing fire. This firmament formed the last of the seven celestial orbs, a static outer layer, the remaining six rotating at different rates and distances around the Earth, carrying with them what appeared as the Sun, Moon and planets. The voices in this work could be viewed as a musical metaphor for those holes through which light is let through, flickering at different rates/speeds/distances as they encircle the listener: 8 of the pitches are fixed, 4 are 'in orbit', those larger heavenly bodies often shining brighter than the rest. Through this process I have tried to endow the music with, if not timelessness, then a certain temporal elasticity, weightless, as if suspended in space outside of normal time.
For further press information and images please contact:
Liz Webb Management
Email: lizwebbmanagement@gmail.com
Tel: 01273 470068 or 07952 007837
Notes to Editors
Links to films:
Alice in Wonderland: https://www.youtube.com/watch?v=zeIXfdogJbA
Voyage to the Moon: https://www.youtube.com/watch?v=BNLZntSdyKE
Listings
Thursday 24 September 2015 at 7pm
Meeting House, University of Sussex, Falmer, Brighton BN1 9RH
Tickets: £10 (students £6) available on the door
Friday 25 September 2015 at 7.30pm
The Warehouse, 13 Theed Street, Waterloo, London SE1 8ST
Tickets: £10 (students and under 16s £6) available http://www.wegottickets.com/newmusicplayers or on the door.