Dr Alexandra Loske
|Post:||Associate Tutor (Sussex Centre for Language Studies, Art History, International Summer School)|
|Other posts:||Administrative Assistant in the Centreresearch (Media and Film)|
|Administrator (Centre for Life History and Life Writing Research)|
|Location:||ARTS A Language Centre|
|Internal:||7762 or 8006|
|UK:||01273 877762 or 01273 678006|
|International:||+44 1273 877762 or +44 1273 678006|
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Alexandra Loske is an art historian, curator and editor with a particular interest in late eighteenth and early nineteenth century European art and architecture. She was born and grew up in Germany and came to England in 1997, where her first job was as a cataloguer and IT manager at the specialist art booksellers Shipleys in London's Charing Cross Road. She has been working at the University of Sussex since 1999. She is the managing editor of the Frogmore Press, which was founded in 1983 and publishes the literary journal The Frogmore Papers and other collections.
Alexandra obtained an M.A. in Linguistics and English Literature from Humboldt University Berlin in 1997 and ten years later added an M.A. in Art History from the University of Sussex. She then received an AHRC funded D.Phil scholarship. Her research is based at the Royal Pavilion, Brighton, where she also regularly gives guided tours and talks. Alexandra submitted her doctoral thesis in January 2014 and passed her Viva Voce on 9 May 2014. She graduated in July 2014.
In 2011/12 she curated the exhibition Robert Goff - An Etcher in the Wake of Whistler at Brighton Museum and Art Gallery.
Since 2012 Alexandra has been on the committee of the Regency Society of Brighton and Hove.
In 2012 Alexandra curated an exhibition about the life and work of the composer Frederick Delius, which was installed for the 2012 Proms season at the Royal Albert Hall in London.
In 2013 she curated Regency Colour and Beyond 1785 - 1850 at the Royal Pavilion, Brighton.
Alexandra is currently preparing an exhibition with the working title Exotic Creatures in Georgian and Early Victorian Britain, which will open at the Royal Pavilion, Brighton, in November 2015.
Alexandra Loske joined the team of associate tutors in the department of Art History in November 2008 and has since been teaching the modules Visual Cultures II and Art on Site and contributed to the lecture courses Communicating Art, Stories of Art, Objects of Art, Art and Artists, Art in the Modern Era, Art and the City, and Exhibition Studies.
Since 2012 she has also been teaching modules on the history of British fashion and Royal palaces and patronage at the International Summer School, University of Sussex.
In December 2013 Alexandra joined the Centre for Life History and Life Writing Research on a part-time basis as an administrator and researcher.
Alexandra was the Resources Coordinator and Language Learning Advisor of the Language Learning Centre from 2001 until 2011.
In January 2008 Alexandra embarked on an AHRC-funded PhD (part-time) on the colour scheme of the Royal Pavilion, Brighton. She was awarded her PhD in summer 2014.
M.A. in Art History (distinction), University of Sussex (2007)
M.A. in English Literature, Linguistics and Medieval Studies, Humboldt Universität zu Berlin (1997)
Reviews, editorial work and writing projects:
Alexandra is the Managing Editor of The Frogmore Press. She oversees its web presence, writes book reviews for the bi-annual literary magazine The Frogmore Papers and edits the Frogmore Press news blog. in May 2012 she edited and published Languages of Colour, an anthology of critical writing, poetry and artwork on the theme of colour and colour theory.
Since 2013 Alexandra is a regularly contributor to CRITICKS, the review section of the British Society for Eighteenth Century Studies. From October 2014 she has been the Fine Art reviews editor of CRITICKS. Recent reviews include :
- Anton Graff: Gesichter einer Epoche / Faces of an Epoch (Alte Nationalgalerie, Staatliche Museen zu Berlin)
- Secrets of the Royal Bedchamber (Hampton Court Palace, Historic Royal Palaces)
- The Art of Seeing Nature: The Oil Sketches of John Constable & ‘So Peculiarly English’: Topographical Watercolours from the V&A Collection
Antiques Roadshow (BBC, 2010), Antiques Road Trip (BBC, 2011), Sarah Beeny's Restoration Nightmare (Channel 4, 2011), Par Avion (Arte, France and Germany, 2012), Urban Secrets with Alan Cumming (Sky, 2012), Japanese TV (2012), Lucy Worsley: Fit to Rule - How Royal Illness Changed History (BBC, 2013), Michael Portillo’s 'Great British Railway Journeys' (BBC, 2014), The Wonder of Britain (ITV, 2014/15, in production).
Conference papers and lectures:
27 March 2015: From Field to Merrifield: Approaches to colour in the early Victorian age. Research paper for the annual ICON Historic Interiors Conference, Corpus Christi College, Cambridge, 27th March 2015.
9 January 2015: A State of Dress: Costume and Clothing in Works by Early Twentieth-century Women Artists in the Collection of Brighton Museum and Art Gallery. Paper forArt, Craft, and the Fin-de-Siècle: Britain and Russia (PART II): The End of Empire: Women Artists in Britain and Russia, 1880 – 1917. The Courtauld Institute of Art, London.
September 2014:Inspiration, appropriation, creation: Sources of Chinoiserie imagery, colour schemes and designs in the Royal Pavilion, Brighton (1802 – 1823). Paper for the conference The Dimension of Civilisation (MOCA) in Yinchuan, China.
11-12 July 2014: ‘Chinese Landscapes in yellow etched in gold and highly varnished’: The influence of export ware and print culture on colour and ornament in the Royal Pavilion, Brighton. Paper for the conference Objects, Families, Homes: British Material Cultures in Global Contexts (The British East India Company at Home), University College, London.
28 March 2014: 'Carmine, Lake, Vermillion, Crome Yellow and other expensive colours': The influence of colour theory and pigment production on the decorative schemes of the interiors of the Royal Pavilion, Brighton. Paper for the Sixth Annual Cambridge Conference of the Historic Interiors Section of Icon 'Regency Interiors', Corpus Christi College, Cambridge.
21 February 2014: Turner and Constable in Sussex. A talk for the Friends of St Michael’s, Brighton.
2 November 2013: Sussex and the Artist: Turner, Constable and the Picturesque Landscape. Lecture for the conference Sussex and the Georgian Age (Sussex Archaeological Society), Lewes.
1 October 2013: Deutscher Expressionismus im Fokus: Die Brücke und Der Blaue Reiter. Lecture for the Leeds Anglo-German Club.
28 June 2013: Brighton Pavilion to Buckingham Palace: A Masterpiece Moved. Accompanying Tim Gosling. Masterpiece 2013, London.
27 June 2013: Light and colour from the East? Curator's talk as part of the Regency Colour and Beyond exhibition at the Royal Pavilion, Brighton
3 April 2013: The Regency Society John Small lecture: Regency colour and Colour Theory. The Royal Pavilion, Brighton
22 February 2013: “Boldly carved, silvered and tinted…”: The Use of Silver As Architectural Colour in the Royal Pavilion, Brighton. Global Perspectives on Colour Symposium, Royal College of Art, London
15 November 2012: Regency Colour and Chinoiserie in the Royal Pavilion. Petworth House, The National Trust.
13 October 2012: Regency Colour and Chinoiserie in the Royal Pavilion. The Regency Society Weekend, Brighton, 12-14 October 2012.
13 July 2012: Enlightened Romanticism: Colour theory in the age of Moses Harris, Goethe and George Field. Progress in Colour Studies 2012, University of Glasgow
30 June 2012: Midwifery and Mourning in Regency Britain. Royal Pavilion and Museums, Brighton
21 June 2012: Princess Charlotte: Daughter of England. Royal Pavilion and Museums, Brighton
7 June 2012: Princess Charlotte - The Forgotten Princess. Lecture at the National Portrait Gallery, London
1 March 2012: Robert Goff - An Etcher in the Wake of Whistler. Lecture to the Royal Pavilion Foundation, Brighton, The Royal Pavilion
23 November 2011: Mary Gartside: A Rare Example of a Female Colour Theorist in Early 19th c. England. Work in progress seminar, Department of Art History, University of Sussex
13 October 2011: Colour Theory in the Age of Goethe. Lecture, Institute of Physics, University of Durham
16 September 2011: George IV and his Giraffe - A Tale of Politics, Exoticism and Science. Fundraising lecture, St Michael's and All Angels, Brighton.
31 May 2011: Colour Theory Before Maxwell. Lecture, King's College London, Anatomy Theatre and Museum
22 March 2011: George IV and his Giraffe - A Tale of Politics, Exoticism and Science. Lecture to the Friends and Patrons of the Royal Pavilion, Brighton, The Old Courthouse
15 March 2011: Byron and the Prince Regent - Two Romantic Georges. The Byron Society, The Naval Club, London
25 November 2009: Regency Colour Theory - Lecture to the Friends and Patrons of the Royal Pavilion, Brighton, The Old Courthouse
11 June 2009: Mary Gartside: A Rare Example of a Female Colour Theorist in the Early Nineteenth Century. Given at Transitions: An Interdisciplinary Conference. Pelham House, Lewes
Other training and experience:
17 - 21 June 2013: Yale Center for British Art Summer Seminar: Coloring Color - The History, Science and Materiality of Paint.
1 - 19 July 2011: The Attingham Trust Summer School 2011
September 2009: Royal Collection Studies course (The Attingham Trust). Established in 1996, Royal Collection Studies is an annual course organised on behalf of the Royal Collection Trust by the Attingham Trust, which has run successful summer schools since 1952. Based near Windsor, it studies the patronage and collecting of the Kings and Queens of England from the 15th century onwards. The teaching includes lectures and tutorials, as well as visits to both the occupied and unoccupied palaces in and around London.