For a full list of faculty publications, please refer to individual staff pages.
Dr. Ben Burbridge
‘I Wanna Be Adored: Exhibitionism in Contemporary Art Photography’, in Ph (eds), Either/And: Debates in Photography (forthcoming 2013). See also www.EitherAnd.org.
Revelations: Experiments in Photography, MACK/Media Space (forthcoming 2013)
‘The Ghost of Media Past and Present’ in Neil Matheson and Sas May (eds), The Machine and the Ghost: Technology and Spiritualism in Nineteenth to Twenty-First Century Art and Culture, Manchester University Press, Manchester (forthcoming 2013)
‘Art Photography at the End of Temporality’, Philosophy of Photography 3:1 (January 2013), pp. 121-39.
Co-Editor (with Celia Davies), ‘Agents of Change: Photography and the Politics of Space’, Photoworks 19 (Autumn/Winter 2012-3). Includes the essay ‘A Cry and a Demand: Notes on Photography and the Politics of Space’, pp. 36-45.
‘Such a Mercurial Moment: Charlotte Cotton and Ben Burbridge in Conversation’, Immediations (Winter 2011-2), pp. 147-62.
‘Ghost in the Machine’, Photoworks 17 (Autumn/Winter 2011-2), pp.78-9.
‘Round Table: Them and Us. The Making and Dissemination of the Photography of Protest’, Photoworks 16 (Spring/Summer 2011), pp. 16-23.
‘Interview: Adam Broomberg & Oliver Chanarin’, Ph: The Photography Research Network (2011): http://www.broombergchanarin.com/text/postgraduate-photography-research-interview/
‘Interview: Mike Mandel’, Ph: The Photography Research Network (2011): http://ph-research.co.uk/?p=640
‘Exacting Photography: Self-Imaging and its Frustration in Contemporary Art Photography’, Rebus 5 (Summer 2010): http://www.essex.ac.uk/arthistory/rebus/issue5.htm
‘A Question of Value’, MAP, London College of Communication, London, 2009, pp. 8-11: http://www.map2009.co.uk/essays/
‘Futile Metaphors: Contemporary Art and the Bomb, Photoworks 10 (Spring/Summer 2008), pp. 44-49.
Dr. Meaghan Clarke
‘Sex and the City: The Metropolitan New Woman’ (2012): http://www.tate.org.uk/art/research-publications/camden-town-group/meaghan-clarke-sex-and-the-city-the-metropolitan-new-woman-r1133741
‘Seeing in Black-and-White: Incidents in Print Culture’, Art History 35: 3 (2011), pp. 574-595.
‘Critical Mediators: Locating the Art Press’, Visual Resources 26: 3 (2010), pp. 226-241.
‘The "triumph of perception and taste": Women, Exhibition Culture, and Henry James’, Henry James Review 31: 3 (2010), pp. 246-253.
‘A Critical Voice in Canadian Art: Jehanne Biétry Salinger’ in Raven Papers: Remembering Natalie Luckyj (1945-2002), Penumbra, Newcastle, Canada, 2010, pp. 59-88.
Translating Nudus: Modernity and the British Academy's New Clothes ‘ in Critical Exchange: Art Criticism of the Eighteenth and Nineteenth Centuries in Russia and Western Europe, Peter Lang, Bern, 2009, pp. 167-189.
Dr Charlotte de Mille
“Grafting a Dream: Narrative Association and Figurative Suggestion in Henri Bergson, Claude Debussy and early Henri Matisse”, in J. Rubin and Olivia Mattis, eds., Rival Sisters: Art and Music at the Birth of Modernism, Ashgate (forthcoming, 2014)
Bergson and the Art of Immanence, ed. John Mullarkey and Charlotte de Mille, Edinburgh University Press (forthcoming, 2013)
“Improvisations on a Theme of Cézanne”, in S. Padiyar, ed., Modernist Games: Cézanne and The Cardplayers, inaugural online publication of the Research Forum, Courtauld Institute of Art (forthcoming, 2013)
2013 “Art History, Immanently”, in John Mullarkey and Charlotte de Mille (eds.), Bergson and the Art of Immanence, Edinburgh University Press (forthcoming, 2013)
2013 “Art History for Musicologists”, A. Leonard and T. Shepherd, eds., Music and Visual Culture: A Research Guide, Routledge (forthcoming, 2013)
Music and Modernism, ed., Cambridge Scholars Press, (CSP’s Book of the Month, Humanities Nov 11, reviewed by Simon Shaw Miller, “State of Play: Visual Culture and Music”, Art History (Forthcoming Feb. 2013, vol. 36, No. 1).
“‘Blast Bergson?’ Wyndham Lewis’ ‘Guilty Fire of Friction”, in S. E. Gontarski, Laci Mattison, and Paul Ardoin, eds., Understanding Bergson, Understanding Modernism, Continuum, 2012.
“Death in Venice, a Gothic Opera?”, in L. Cleaver and A. Lepine, eds., Gothic and its Legacies, Cambridge Scholars Press, 2012.
“The Land of Viking Vigour and Sea-born Health”, in C. de Mille, ed. Centenary Exhibition 1912-2012: Concerning Thorpeness, Ex. Cat.,Leiston: Leiston Press, 2012.
‘‘Sudden gleams of (f)light’: ‘Intuition as Method’?’, Art History, vol. 34, no. 2 (2011), pp. 370-386, reprinted in Catherine Grant & Patricia Rubin, eds., Creative Writing and Art History, Oxford: Wiley-Blackwell (2012), pp.148-164.
“ ‘Turning the Earth above a Buried Memory’: Dismembering and Remembering Kandinsky” in C. de Mille, ed., Music and Modernism, Cambridge Scholar’s Press, 2011.
Dr. Flora Dennis
‘When is a room a music room? Sounds, spaces and objects in non-courtly Italian interiors’ in Deborah Howard and Laura Moretti (eds), Sound, Space and Object: The Aural, the Visual and the Tactile in Early Modern French and Italian Music Rooms’, London, 2012, pp. 37-49.
‘Scattered Knives and Dismembered Song: Cutlery, Music and the Rituals of Dining’, Renaissance Studies XXIV (January, 2010), pp. 156-84 (republished in book form in 2011 as Re-thinking Renaissance Objects: Design, Function and Meaning, edited by Peta Motture and Michelle O'Malley).
‘Resurrecting Forgotten Sound: Fans and Handbells in Early Modern Italy’, in Catherine Richardson and Tara Hamling (eds), Everyday Objects: Medieval and Early Modern Material Culture and its Meanings, Ashgate, 2010, pp. 191-209.
‘Unlocking the Gates of Chastity: Music and the Erotic in the Domestic Sphere in Fifteenth- and Sixteenth-Century Italy’ in The Erotic Cultures of Early Modern Italy, edited by Sara Matthews-Grieco, Ashgate, 2010, pp. 227-45.
‘Sound and Domestic Boundaries in Fifteenth- and Sixteenth-century Italy’, Studies in the Decorative Arts, XVI/1 (Fall-Winter, 2008-2009), pp. 7-19.
‘Medieval and Renaissance Music’ in Glyn Davies and Kirstin Kennedy (eds), Medieval and Renaissance Art: People and Possessions, V&A Publications, 2009, pp. 296-7.
'Displaying Music', V&A Research Bulletin, 2011, pp. 36-7.
'A Notation Knife', V&A Research Bulletin, 2009, p. 36.
Professor Maurice Howard
‘Lumley castle and its Inventories’ (with Susan Bracken) in Mark Evans (ed.), The Lumley Inventory and Pedigree. Facsimile and Commentary on the Manuscript in the Possession of the Earls of Scarborough, , Roxburghe Club, London, 2010, pp. 29-33.
‘The Post-Reformation School in England 1540-1640’in K. Ottenheym (ed.), Public Buildings in Early Modern Europe, Tournout, Belgium, 2010, pp. 333-342.
‘The Courtyard House, Late Medieval and After’ in Malcolm Airs and Paul Barnwell (eds), The Medieval Great House, Donington, 2011, pp. 96-108.
‘Nation, Land and Heritage’ in Christopher Breward and Ghislaine Wood (eds), British Design 1948-2012, V& A publications, London, 2012, pp. 97-113.
‘Craftsmen and Courtiers: Italian Military Expertise at the court of Henry VIII’ in Cinzia Maria Sicca and Louis A. Waldman (eds), The Anglo-Florentine Renaissance: Art for the Early Tudors, New Haven and London, 2012, pp. 265-80.
Professor Liz James
Co-Editor, New Light on Old Glass: Byzantine Glass and Mosaics, British Museum Press, London (Forthcoming 2013)
Constantine of Rhodes, On Constantinople and the Church of the Holy Apostles. A new Greek edition by Ioannis Vassis; volume edited by L. James, Ashgate, 2012
‘Is there an empress in the text? Julian’s Speech of Thanks to Eusebia’ in S. Tougher and N. Barker (eds), The Emperor Julian, University of Wales Press, 2012
‘Glass and the manufacture of Byzantine mosaics’ in Annales du 18e Congrès de l’Association Internationale pour l’Histoire du Verre, Thessaloniki, 2012, pp. 321-25.
‘“Seeing’s believing but feeling’s the truth”: touch and the meaning of Byzantine art’ in A. Lymberopoulou (ed.), Images of the Byzantine world: visions, messages and meanings, Ashgate, 2011, pp. 1-15.
‘Images of text in Byzantine art: the apse mosaic in Hosios David, Thessaloniki’ in K. Krause and B. Schellewald (eds), Bild und Text im Mittelalter, Wien, 2011, pp. 255-266.
A Companion to Byzantium, Oxford, 2010
‘Mosaic matters. Questions of manufacturing and mosaicists in the mosaics of San Marco, Venice’ in H. Maguire and R. S. Nelson (eds), San Marco, Byzantium and the myths of Venice, Washington, 2010, pp. 227-243.
Professor David Mellor
Co-Editor (with Simon Baker), Camera and Gun: The Imaged Century of War (provisional title), exhibition catalogue: Tate Modern, London (forthcoming 2014)
Co-Editor (with Christopher Stephens), K: Kenneth Clark- Master Patron and Cultural Politician, exhibition catalogue: Tate Britain, London (forthcoming 2013)
‘Radical Bloomsbury’ The Journal of Visual Culture in Britain (forthcoming 2013).
The English Dadaist: Bruce Lacey, exhibition catalogue: Camden Arts Centre, London, 2012
‘Fragments of an Incommensurable Whole: Michelagelo Antonioni in the context of contemporary visualities in London, 1966’ in Philippe Garner and David Alan Mellor (eds), Antonioni’s ‘Blow-Up’ , Steidl, 2011.
‘And Oh! the Stench: Spain, the Blitz, Abjection and the Shelter Drawings’, in Ed. Chris Stephens, Henry Moore, Tate Gallery Publications, 2010, pp. 52-65.
‘Framing Francis Bacon’ , in jointly edited (with Dr. Ysanne Holt, Northumbria University) ‘Reframing Francis Bacon’, The Journal of Visual Culture in Britain, Vol. 10, No.3, November 2009.
Rents in the Fabrics of Reality: Contexts for Sophie Ristelhueber’, in Sophie Ristelhueber/Operations, Thames and Hudson, London, 2009, pp. 212-231
‘Living Briefly in an Old Country: Tony Ray-Jones in England, 1966-1970’, Visual Culture in Britain, Vol.9 Number 2, Winter 2008, pp.41- 57.
‘Film, Fantasy and History in Francis Bacon’, ed. M.Gale and C. Stephens (eds), Francis Bacon, Tate Publications, London, pp. 50-63.
Susan Trangmar ‘A Play in Time’, Photoworks, Brighton, 2008.
Dr. Michelle O’Malley
‘Quality Choices in the Production of Renaissance Art: Botticelli and
Workshop Management’, Journal of Renaissance Studies, in press.
Painting under Presser: Reputation and Demand in Renaissance Florence, Yale University Press, in press (forthcoming November 2013).
Re-Thinking Renaissance Objects: Design, Function and Meaning, co-editor with Peta Motture, Wiley-Blackwell, 2011. (Originally published as Renaissance Studies, special issue, vol. 24, 2010).
‘Finding Fame: Painting and the Making of Careers in Renaissance Italy’, Journal of Renaissance Studies (special issue), vol. 24 (2010), pp. 9-32.
‘A Pair of Little Gilded Shoes: Production, Cost and Meaning in Renaissance Footwear’, Renaissance Quarterly, vol. 63 (2010) pp. 45-83.
Dr. Geoff Quilley
‘Of sailors and slaves: portraiture, property, and the trials of circum-Atlantic subjectivities, ca. 1750-1830’, in Slave Portraiture in the Atlantic World, eds. Angela Rosenthal and Agnes Lugo-Ortiz (Cambridge University Press, forthcoming, 2013), pp. 170-99
‘“By cruel foes oppress’d”: British naval draughtsmen in Tahiti and the South Pacific in the 1840s’, Journal of Historical Geography (available online 21 December 2012): http://www.sciencedirect.com/science/article/pii/S0305748812001351
‘Re-enacting art and travel’, Tate Papers 17 (11 May 2012), special issue on Art & Environment, ed. Stephen Daniels and Nick Alfrey: http://www.tate.org.uk/research/publications/tate-papers/re-enacting-art-and-travel
Empire to Nation: Art, History, and the Visualization of Maritime Britain, 1768-1829 (Yale University Press, 2011), 304 pp.
‘Transfer’, in The Currency of Art: a Collaboration between the Baring Archive and the Graduate School of CCW, ed. Eileen Hogan (London, CCW, 2010), pp. 36-40
‘The analysis of deceit: Sandby’s satires against Hogarth’, in Paul Sandby: Picturing Britain, eds. John Bonehill and Stephen Daniels (Royal Academy of Arts, 2009), pp. 38-47
‘The Trattato della Pittura and Leonardo’s reputation in eighteenth-century British art and aesthetics’, in Re-Reading Leonardo: The Treatise on Painting across Europe, 1550-1900, ed. Claire Farago (Ashgate, 2009), pp. 495-507
‘The art of the Cook voyages’, in The History of British Art, ed. David Bindman (London, Tate Publishing, 2008), pp. 116-17
‘The captain’s artist: the career of John Webber R.A.’, in Smoking Coasts and Ice-Bound Seas: Cook's Voyage to the Arctic, ed. Sophie Forgan (Captain Cook Memorial Museum, Whitby, 2008), pp. 13-22