Media and film studies
Questioning the Media
Course code: P4006
Level 1
24 credits in autumn
Teaching method: Lecture, Seminar
Assessment modes: Course report, Exercise, Essay
This module introduces the study of media forms, texts and systems and their contribution to social life. You will begin to explore the breadth of media studies through attention to the ways in which media matter. In what ways, and how significant are the media in the formation of individual identities and in the practices of everyday life? In the more public world, to what extent are media key to providing knowledge and enabling the debate necessary to the practices of democracy? The module enables you to build on your own experiences of media as a consumer and user. But it also encourages critical attention to how the field of media studies has historically been forged: through argument and contestation between different academic approaches and disciplines.
The module ranges across media and genres, engaging with both contemporary and historical material. Topics may include: audience pleasure and identity; representations and power; development of different broadcasting systems; the social impact of the rise of digital media.
Key terms may include: pleasure, identity, representation, semiotics, power, ideology, hegemony, discourse and subject, public service, public sphere, news values, networks, cultural and political citizenship.
Course list
Level 1
- Creative Production: Digital Media A
- Creative Production: Digital Media B
- Creative Production: Photography A
- Creative Production: Photography B
- Creative Production: Sound A
- Creative Production: Sound B
- Creative Production: Video A
- Creative Production: Video B
- Culture Across Space and Time
- Culture and the Everyday
- Debates in Media Studies
- Film Analysis 1: Narrative and Style
- Film Analysis 2: Authorship, Genre, Stardom
- Introduction to Media Studies 1B
- Issues in Film Studies 1A: Histories, Politics, Technologies
- Issues in Film Studies 1B: Histories, Politics, Technologies
- Issues in Film Studies 2: Global Film Cultures
- Practising Cultural Studies 1a
- Practising Cultural Studies 1b
- Questioning the Media
- The Meaning of Things
Level 2
- Advertising and Social Change
- Cinema and Nation: American Cinema
- Cinema and Nation: British Cinema
- Cinema and Nation: Cuban Cinema
- Cinema and Nation: French Cinema
- Cinema and Nation: Indian Cinema
- Cinema and Nation: Japanese Cinema
- Cinema and Nation: Spanish National Cinema
- Creative Media: Digital Media A
- Creative Media: Digital Media B
- Creative Media: Documentary Video A
- Creative Media: Documentary Video B
- Creative Media: Photography A
- Creative Media: Photography B
- Creative Media: Script Writing A
- Creative Media: Script Writing B
- Creative Media: Sound A
- Creative Media: Sound B
- Culture, Race and Ethnicity
- Developing Research
- Digital Cultures
- Film Theory
- Gender, Space and Culture
- News, Politics and Power A
- News, Politics and Power B
- Professional Media Practice
- Radio: On Air, Online
- TV: Fictions and Entertainments
- The Allure of Things
- Theory, Taste and Trash 1a
- Theory, Taste and Trash 1b
- World Cinemas
Level 3
- Alternative Cinemas
- Carnival, Symbols and Society
- Class and Popular Culture
- Contemporary British Cinema (A)
- Cultural Landscapes in Britain
- Documentary, Reality TV and 'Real Lives'
- Final Creative Project
- Genes and Clones: Where Science and the Media Collide
- Globalisation and Communication
- Hollywood Comedian Comedy
- Hollywood: Industry and Imaginary (A)
- Image and Reality in Contemporary Cinema
- Music, Media and Culture
- Race and Ethnicity in Popular Cinema
- Sexualities and the Cinema
- Special Topic: Consuming Passions
- The Musical
- The New Audience Research
- Viewing Women
- Working in the Cultural Industries
