Debates in Media Studies A

30 credits
Spring teaching, Year 1

If the emphasis in Introduction to Media Studies 1A and 1B was on how media matters in our social world, in this module the stress is on different theoretical approaches to the study of media and the debates circulating around those approaches. Media can be analysed as ritual, (global) industry, meaning-maker, technology, dreamworld, everyday life, work place, or sensual pleasure machine. Focus can switch from media production and organisation, to analysis of media output, to exploration of consumption and use, to the bigger issue of media in society.

In carving a way through this complexity the module will introduce you to a few key frameworks – for example political economy, cultural studies, psychoanalysis, feminist media theory – and alert you to how differences of approach have emerged depending on the specific medium or cultural form (radio, TV, cinema, internet, newspaper, advertising, music, etc). However, a repeated reference point for the module is the cultural output of media and methods analysis, especially modes of textual analysis.

Practising Cultural Studies

30 credits
Autumn teaching, Year 1

This module introduces you to the ways in which cultural studies as a theoretical approach can be used to explore aspects of life in the 'globalised world' of the 21st century. The first weeks are devoted to mapping and debating some of the terms cultural studies draws on. In the second half of the term you will try out cultural studies approaches in cross-cultural contexts through the exploration of three selected areas. These may include a social issue (eg migration or 'culture on the move'), a topic engaging with personal experience (eg 'passionate attachments' whether for people, things or ideas), or a topic engaging with cultural objects (eg focusing on the competition in relation to culture – the Turner prize, Booker or Young Musician of the Year on the one hand, Strictly Come Dancing or Master Chef on the other). You will undertake focused cross-disciplinary study through carefully directed research tasks and reading on these topics. Teaching and learning will involve a mix of lectures, seminars, workshops, screenings, individual and group work. Assessment is by submission of an exercise, essay, and group presentation.

Questioning the Media A

30 credits
Autumn teaching, Year 1

This module introduces the study of media forms, texts and systems and their contribution to social life. You will begin to explore the breadth of media studies through attention to the ways in which media matter. In what ways, and how significant are the media in the formation of individual identities and in the practices of everyday life? In the more public world, to what extent are media key to providing knowledge and enabling the debate necessary to the practices of democracy? The module enables you to build on your own experiences of media as a consumer and user. But it also encourages critical attention to how the field of media studies has historically been forged: through argument and contestation between different academic approaches and disciplines.

The module ranges across media and genres, engaging with both contemporary and historical material. Topics may include: audience pleasure and identity; representations and power; development of different broadcasting systems; the social impact of the rise of digital media.

Key terms may include: pleasure, identity, representation, semiotics, power, ideology, hegemony, discourse and subject, public service, public sphere, news values, networks, cultural and political citizenship.

Culture Across Space and Time

15 credits
Spring teaching, Year 1

This module examines the relationship of culture to place, difference and identity. Drawing on key theoretical debates and case studies, culture will be explored in the context of social change and crises, incorporating topics such as:

• the impact of globalisation and transnationalism on everyday life
• the impact of consumption on behaviour and life choices
• the changing relations of multiculturalism, racism and marginalisation
• and the representation of culture in public spaces.

Throughout the module cultural issues will be deciphered through the prism of racial, ethnic, class and gender relations at local and global levels.

Culture and the Everyday

15 credits
Spring teaching, Year 1

This module explores 'doing culture' in everyday life. If the 'everyday' refers to the mundane, the unremarkable - to the forms of life routinely taken for granted - it is also through the practices of everyday life that we experience who we are, how our lives are invested with meanings and we engage with change. In the modern world (especially in the developed north), it is difficult to think about cultures of everyday life without also considering the media: its contribution to the structuring of daily life; its varied use in daily life; and its discursive construction and engagement with aspects of everyday life. The module introduces critical approaches to everyday life, including those engaging with media, before concentrating on a series of case studies. Topics are likely to be organised around the twin foci of 'embodiment' and 'mobility' and include, for example: getting dressed, meal times, time for love, driving and shopping. You will have the opportunity to reflect on your own experiences and to consider, where appropriate, media in relation to everyday life. In addition to this the module will also provide historical and cross-cultural material and encourage study of other cultures.

News, Politics and Power A

30 credits
Autumn teaching, Year 2

This module explores media and politics and, more broadly, the media and questions of power. It focuses on current affairs with a stress on news; although other forms of factual content (for instance TV docudrama, web blogs, broadsheet lifestyle spin-offs) are also covered. This module considers the role media can play in producing our understanding of the globalizing world in which we live. It asks how media frames, organises, and contextualises events, both as they take place, and in relation to the collective memories that emerge after the event. It also asks how the media themselves are managed, manipulated, and influenced – variously by governments, media owners, professional newsrooms codes, and/or by public pressure.

You will examine the role the media play in relation to the citizen and the state. It is through the optic of citizenship, particularly in relation to the public sphere, that questions concerning the power of the media are addressed. You will also explore how a wide range of media contribute to the maintenance or erosion of a democratic society and an informed citizenship.

Theory Taste and Trash A

30 credits
Autumn teaching, Year 2

This module introduces cultural studies students to theories of good taste and popular culture. It gives a historically-­rooted account of how the study of popular culture came to be established in British higher education, and considers the key theoretical approaches that helped to shape those studies. The module explores the meeting of popular culture and 'the academy', and the intriguing questions it continues to pose concerning hierarchies of taste, questions of value, and definitions of educational worth.

A series of lectures will offer you a historical overview and an introduction to the influence of key writers, theorists and approaches, while the module seminars will encourage you to engage critically with significant texts in the field (from writers such as Hall, Bourdieu and Bakhtin). You will test the interpretive frameworks these texts offer by undertaking some case study analyses of contemporary popular cultural texts and practices (in fields such as television, music, the leisure industries and youth culture).

Advertising and Social Change A

30 credits
Spring teaching, Year 2

In the context of the rise of consumer culture and the expansion and proliferation of media systems, this module addresses the historical development of advertising. A key theoretical framing is provided by debates about the shift from modernity/fordism to post-modernity/post-fordism, about 'knowledge' industries and the emergence of a 'risk' society.

Themes explored include advertising's relation to social change and its exploration and contribution to social identities. Engaging with contemporary practices, the module also balances attention to how the industry perceives itself with critical perspectives of its place in society. Through case studies and examples, the module offers ways of approaching ad texts and the consumption of advertising as well as ways to understand the changing industry of the 21st century. It offers opportunity to address advertising in the UK and elsewhere.

Culture, Race and Ethnicity

15 credits
Spring teaching, Year 2

This module explores the relationship between ideas of culture, race and ethnicity both historically and in contemporary society. You will examine a range of empirical examples that demonstrate how the concepts have been used – sometimes separately, sometimes in interlocking ways – in political projects or movements. There will be particular focus on contructions of 'whiteness'. Examples may include the use of race in 19th-century colonial administration, the politics of ethnicity in postwar London or the rise of the new right in contemporary Europe.

Gender, Space and Culture

15 credits
Spring teaching, Year 2

Why is space important to our understanding of communication? How do subjects travel through space in order to construct narratives of identity? How are spaces moralised, sexed and gendered? How do they accrue significance or symbolism?

In the last decade there has been a convergence across many academic disciplines to comprehend spatiality. Social spaces are never empty or static, they are full of the shifting dynamics of power and politics. On this module you will study to what extent gender is articulated in public and private spaces, so that they may be considered to be predominantly feminine, masculine, queer or transgendered. You will also examine how spaces and places are dynamic, unstable and mutable in relation to competing social differences. We will look at a variety of sites of the everyday, from the domestic to the visual, from bodies to landscape and virtual realities using key theoretical concepts such as 'performativity', 'representation' and 'transectionality' to interpret how our culture is thoroughly imbued with gendered and spatialized assumptions.

Topics may include: thinking about gendered journeys such as package holidays or migration; the boundaries and borders of the self; the national and the global; social inclusion and exclusion; and representations of the feminized underclass, or the masculinized professional. We will also consider queer cultural geographies as represented in films; 'freaky bodies' and transexuality online; and the spatial politics of protest on the streets and in the home.

Sound, Culture & Society

30 credits
Spring teaching, Year 2

The Allure of Things

15 credits
Spring teaching, Year 2

This module explores the circulation of significant objects (material or otherwise) within specific cultural and historical contexts. It analyses the social/cultural/economic relationships which shape and are shaped by the movement of 'things'.  You will gain an understanding of theories of exchange, commoditisation and consumption. These will be set against wider cultural and economic transformations as the result of colonialism, capitalist penetration and globalisation.

TV: Fictions and Entertainments A

30 credits
Spring teaching, Year 2

This module focuses on the textual and contextual study of television's key fiction and entertainment genres – soap operas, sitcoms and other styles of comedy, game shows, lifestyle television, daytime television, and music television, among others. You will explore the defining generic characteristics of those televisual categories, their representational strategies, their ideological implications, their particular pleasures and their relationship with audiences. The primary focus will be on British television, although comparative material from other broadcasting contexts will be used where appropriate for comparative purposes. Most of the primary material will be drawn from current or recent television, but you will also investigate the history of popular television genres in order to understand their evolution.

Class and Popular Culture

30 credits
Spring teaching, Year 3

While constructions of gender, sexuality, 'race' and ethnicity in popular media and culture have been subjected to increasing academic scrutiny in the last decade or so, class has been largely left off the agenda. This module attempts to redress this neglect. It centres on theorisations of class in the cultural sphere, and on a series of debates over the representation of class in a range of examples from popular culture.

You will consider both strategies of 'othering' groups such as the working class and underclass, and also representations of the 'invisible', taken for granted norm of middle-class identity. Topics covered may include: emotions and class - shame, hate, and envy; news, television reality shows and television drama; and embodiment, education, aspiration and respectability.

Comedy and Cultural Belonging

30 credits
Autumn teaching, Year 3

Comedy is, above all, a cultural form that invites its audiences to feel that they belong – to a social community, a class, a locality, a nation, a subculture, a gender, a sexual identity, an ethnic group, a community of interest, or a complex intersection of several of these. This module explores the relationship between comedy and belonging by considering a number of conceptual fields, such as: theories of the comedic; questions of identity formation; notions of representation and stereotyping; structures of power and resistance; the sexual politics of jokes; concepts of carnival and excess; the idea of a 'national sense of humour'; the use of comic strategies by 'minority' groups; the complexities of camp; and the role of class in cultural consumption. The initial focus would be on 20th-century British popular comedy, and the comic texts and practitioners studied might include Alan Bennett, Mike Leigh, Victoria Wood, the music hall tradition, the Ealing comedies, the Carry On films, Morecambe and Wise, The League of Gentlemen and The Royle Family.

Consuming Passions

30 credits
Autumn teaching, Year 3

This module explores consumption practices within specific cultural and historical contexts. It introduces you to processes through which objects are made sense of and appropriated by people in their everyday life. At the same time, the module explores consumption as a basic human activity through which people engage and understand their position in the world. It will locate historical and culture-specific consumption practices within wider processes of identity creation and social differentiation. Finally, consumption will be discussed in the context of the development of consumer cultures and globalisation.

Contemporary Social Theory

30 credits
Autumn teaching, Year 3

This module provides a critical assessment of the some of the most prominent sociological theorists in the late 20th century. This period can be described as post-classical in the sense that the various schools of classical sociological theory associated with Marx, Weber, Durkheim and their later followers gave way to a range of new approaches such as those linked to post-structuralism, such as Foucault - as well as to new interpretations of the classical approaches, such as social constructionism, western Marxism and critical theory. The central aim of the module is to show how contemporary thinkers have understood the major transformations in modern society (ie from industrial to post-industrial society, globalisation, new social movements such as feminism, environmental movements, identity politics). This will involve a consideration of some of the most important debates in sociological theory, such as the debates about modernity versus postmodernity, structure versus agency as well as the influence of psychoanalytic social theory emanating from feminist theory and from post-structuralism.

The weekly topics include: social constructionism; Foucault and govementality; Habermas and critical theory; recognition theory (Honneth); marxism after postmodernism; Bourdieu and recent French sociology; poststructuralism and psychoanalysis: Derrida, Lacan, Deleuze; Bauman's postmodern ethics; network theory: Latour and Castells; theories of modernity; cosmopolitanism and social theory; culture and social theory (performativity, Alexander).

Cultures of Colonialism

30 credits
Autumn teaching, Year 3

This module introduces you to the colonial practices, discourses and cultures across the nineteenth century British Empire and their legacies. It examines the British metropole and its colonies within a single analytical framework, tracking the exchange of people, ideas and objects along the networks that connected them. Initially you will cover the main approaches to the study of British colonialism, including traditional imperial history and postcolonialism. The latter part of the module investigates cultural, social and political impacts of British colonialism at specific sites across the empire, including India, North America and New Zealand.

Documentary, Reality TV and 'Real Lives'

30 credits
Autumn teaching, Year 3

During this documentary module you'll analyse documentary production in its historical and cultural context and focuses on new developments in documentary production, reality TV formats, feature documentary and alternative documentary production. In addition we'll address emerging documentary production in the developing world.

The module covers foundational thinking in documentary; theorisations of different modes of documentary; reality TV; debates over documentary's truth claims; the boundary between documentary and fiction; dramatisation and reconstructions; and international independent documentary production.

Globalisation and Communication

30 credits
Spring teaching, Year 3

This module studies the role of the media (broadly understood to include all forms of telecommunications, the internet and computers, print and televisual journalism, and all forms of visual media) in the era of globalisation. You will investigate what the notion of globalisation actually refers to in various registers of discourse and theory, focusing on the relation between globalisation in the political-economic sense and globalisation in the cultural sense. The module then addresses the specific role of the various media in initiating, consolidating and sustaining both the idea and the practice of globalisation. It concludes by considering the merits and demerits of the process of globalisation in the arena of culture.

Hollywood Industry and Imaginary

30 credits
Autumn teaching, Year 3

Landscape, Nature and Representation

30 credits
Autumn teaching, Year 3

This module focuses upon the representation of landscapes and nature, and considers the ways in which representations are sites through which ideas, visions and imaginations are set to work. You will assess the production and impact of such representations, critically analysing a range of textual sources from a variety of origins which claim to represent landscape and natures. This will incorporate art, literature, music, the media and cartography.

Media, Publics and Protest

30 credits
Autumn teaching, Year 3

Social media have been at the heart of recent forms of protest both at home and abroad. This module aims to enable you to develop a critical understanding of the relationship between media, publics and protest. It will provide you with a conceptual framework and historical contextualisation with which to approach a key question in media studies - the construction of publics and counterpublics, and the relationship of media to democracy and democratic practice. The module begins by introducing a set of theoretical approaches to thinking about the public sphere; in the latter part of the course, you will be enabled collectively and independently to identify and research particular case studies, whether that be the role media play in revolution or political transition, in protests, demonstrations, petitions or riots, in hacktivism or culture jamming, or in cultural forms like satire and alternative media.

Music, Media and Culture

30 credits
Spring teaching, Year 3

This module explores the relationship between music and media of all kinds, and questions the ideological structures underpinning the consumption of music in western society. The module focuses on the relationship between musical production and media technologies (the microphone, phonograph, radio and film), the changing role and place of music in society - understood through an analysis of media technologies, the meaning and nature of music and media reception in society, and the political economy of the music industry.

Race, Ethnicity and Identity

30 credits
Spring teaching, Year 3

This module focuses on theories of race, ethnicity and identity. It applies diverse theoretical approaches to race, ethnicity and identity to historical and contemporary ethnographic contexts. As well as examining the way in which racial and ethnic identities have been constructed across time and space, the module interrogates these constructions with specific reference to:

• the development of anthropology

• slavery and colonialialism

• scientific racism

• postcolonial political regimes

• postcolonial feminism

• conflict and genocide

• identity-based mass violence

• diaspora, transnationalism and the Black Atlantic

• contemporary understandings of race and racism in its myriad forms

• multicultural lives and hybridity.

Transnationalism and Identity

30 credits
Autumn teaching, Year 3

This module explores the complex and multiple effects of transnational migration on everyday geographies of home, identification and belonging. The focus will be on the diverse ways in which social and cultural identities are performed in a mobile context. Particular attention will be given to the spatialisation of such identities at a variety of scales (e.g. body, home, community) and the relations between them. Theoretical and empirical research drawn upon in the module will reflect the heterogeneity within and across diasporic groups in terms of class, gender, sexuality, race and ethnicity. You will learn that migrant identities are contingent on historical and geographical context and will situate discussions of the negotiation of belonging within debates on postcolonialism, multiculturalism and cosmopolitanism.