Centre for Early Modern and Medieval Studies

Events archive

 2019

England's Islamic Identity: Writing From the Periphery 1500-1700.7th June conf

7th June 2019, The Museum of the Order of St John.

This CHASE funded, one day symposium, organised by Sussex's Thomas Collins and Tomasz Kowalczyk, examined the rich history of Anglo-Islamic cultural exchange in the Anglophone literature of the early modern period. As increased commerce and exploration widened the scope of English interactions abroad, the body of writing concerned with an increasingly familiar portion of the world grew rapidly. English writers now sought to understand and portray Islamic places and people, from Mughal India to North Africa, in relation to themselves. These writer, often merchants and adventurers in their own right, found themselves at the centre of supremely rich and expansive foreign power structures, prompting the calibration of an English national identity still only in its infancy. This event explored how the increasingly formalised Anglo-Islamic interaction spurred a change in English thinking about national identity in an ever-expanding world, from the period before the conception of the British Empire, to an environment of burgeoning imperialism.

  

Beware the CatBeware te

10th May 2019, Attenborough Centre for the Creative Arts

The second performance of Beware the Cat took place on 10th May at the ACCA, as part of the Brighton Fringe Festival. William Baldwin's 1552 novel was brought to life as a multimedia performance for a contemporary audience, involving music, song, reading of text, signs, and the projection of images. This performance is part of an ongoing interdisciplinary and cross-institutional project, led by Dr Rachel Stenner. For more information, see our Projects page here.

 James Shirley's The Politician

Shirley13th March 2019, Attenborough Centre for the Creative Arts

A staged reading of James Shirley’s The Politician (1639), which tells a tale of court intrigue and ruthless deception, was held at the Attenborough Centre for the Creative Arts on Wednesday 13th March, 2019. The production was directed by Alex Brown and performed by University College Dublin drama students. 'The play is a work of political and moral intrigue, much like House of Cards or The West Wing, or even Game of Thrones, and, therefore, captures more than a little of the nature of current politics.' The staged is organised by Prof Andrew Hadfield (University of Sussex) who is also currently editing the play.

 

 2016

Donatus writing his grammar

Middle English Literary Theory Workshop: Keywords and Methodologies

Thursday 16th June 2016

The 1999 anthology The Idea of the Vernacular aimed to be ground-breaking, setting up a new foundation for work on Middle English literary theory. This anthology’s call to consider Middle English literature as a site for theoretical thought has been taken up by a number of scholars in relation to particular texts and topics (e.g. Minnis and Johnson (2005), I. Johnson (2013), and E. Johnson (2013)). Yet fundamental questions about both the limits and the possibilities of vernacular literary theory in medieval England remain unanswered. This one-day workshop sought to establish current attitudes and approaches to Middle English literary theory, and to revisit and re-imagine the methodologies for scholarly inquiry into it. The workshop reflected on questions such as: Do Middle English writings evidence a specific and developed vernacular literary theory? If so in what ways is this theory distinctive from Latinate and French traditions? Is there a Middle English lexicon for describing and doing literary theory? And if so, can the description and analysis of this lexicon provide one way of taking forward the study of Middle English literary theory?

Keynote: Ian Johnson (University of St Andrews) ‘The Miscellaneity and Coherence of Middle English Literary Theory’

British Library MS Arundel 43 f.80v Donatus writing his grammar

Other speakers included James Wade (Girton College, Cambridge), Jenni Nuttall (St Edmund Hall, Oxford), Conor Leahy (Cambridge), Jane Griffiths (Wadham College, Oxford), Nicolette Zeeman (King’s College, Cambridge), Katie Walter (Sussex University) and Jocelyn Wogan-Browne (Fordham University).

 

 

2015

Literature and Philosophy 1500-1700: A Postgraduate Conference.

14th-16th July 2015. Saintly portrait, title Literature and Philosophy conference poster

This conference set out to explore the relationship between early modern literature and philosophical thought, theories and issues. How philosophical was literature in this period? Did literature and philosophy work in symbiosis or discordantly? How are philosophical ideas approached in early modern literary texts? In what ways could literature function to promote or critique philosophical ideas? What was the role of commercial literature in disseminating philosophical thought? How did circulation of courtly literature influence contemporary political and philosophical thinking? What was the role of different textual mediums (such as codices, pamphlets or newsbooks) in disseminating philosophical ideas? How were philosophical theories engaged with in poetry, prose or drama? Did the genre or medium matter?

Plenary speakers: Katrin Ettenhuber (Pembroke, University of Cambridge); Neil Rhodes (University of St Andrews); Christopher Tilmouth (Peterhouse, University of Cambridge).

View the
full conference programme.

 


2014

Modified Bodies and Prosthesis in Medieval and Early Modern England programme [DOC 234.50KB]

Symposium details and artworkEvent poster

 

List of speakers:

  • Patricia Skinner (Swansea) ‘“My broken nose made me ridiculous”: Unwanted Facial Modifications in the Middle Ages’
  • Helen Davies (Lancaster) ‘“Nature cannot be surpassed by art”: The Power of Prosthetics in the Body of the Soldier’
  • Margaret Healy (Sussex) ‘Healing Prosthetics: Word Charms, Amulets and Talismen’
  • Chloe Porter (Sussex) ‘Post-mortem Prosthesis: Modified Bodies and the Early Modern Afterlife’
  • Naomi Baker (Manchester) ‘“The body of this death”: Paul and Disability on the Early Modern Stage’
  • Isabel Davis (Birkbeck) ‘Kneeling’
  • Jenny Tiramani (School of Historical Dress) ‘The Rise and Fall of Geometry: The Development of Underpinnings in Early Modern Europe’
  • Katie Walter (Sussex) ‘Plasticity and Prosthesis’
  • Respondent: Peter Boxall (Sussex)

 

Twitter

University of Sussex Centre for Early Modern and Medieval Studies: https://t.co/VmJNx4YuVi Tweets by @trhcol

RT @SusxUniStudents: Don't forget the range of activities for @SussexBHM taking place @USSU and @SussexUni in October #BlackHistoryMonthtwitter.com/i/web/status/1…

Following on in my Miltonian train of thought. Here is Gustave Doré breathtaking illustration of Archangel Michael… twitter.com/i/web/status/1…

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Milton wanting to “justify the ways of God to men” is the kind of ambition we should all strive for.

RT @_SAMEMES: Another exciting book announcement for SAMEMES member Margaret Tudeau-Clayton, as her book “Shakespeare’s Englishes… twitter.com/i/web/status/1…

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