Subject overview

Programme outline

This MA is designed for the growing number of postgraduates with intellectual interests cutting across the disciplines of English, media, film and image studies. It explores the convergence of literature and visual culture from the late 18th century to the present, and addresses the theoretical and historical interconnections between literary and visual representation.

Through different approaches to the study of writing, image and visuality, individual options encourage you to think flexibly across conceptual frameworks, and offer a fresh understanding of the theoretical exchanges between visual and textual analysis.

This MA is associated with the Centre for Visual Fields.

Entry requirements

UK entrance requirements

A first- or upper second-class undergraduate honours degree in a relevant subject.

Overseas entrance requirements

Please refer to column A on the Overseas qualifications.

If you have any questions about your qualifications after consulting our overseas qualifications table, contact the University.
E pg.enquiries@sussex.ac.uk

Related programmes

• Applied Linguistics MA
• Creative and Critical Writing MA
• Philosophy MA

Fees and funding

Fees

Home UK/EU students: £5,500¹
Channel Island and Isle of Man students: £5,500²
Overseas students: £13,000³

¹ The fee shown is for the academic year 2013.
² The fee shown is for the academic year 2013.
³ The fee shown is for the academic year 2013.

Funding

The funding sources listed below are for the subject area you are viewing and may not apply to all degrees listed within it. Please check the description of the individual funding source to make sure it is relevant to your chosen degree.

Faculty interests

Faculty research interests are described briefly below. For more detailed information, visit School of English: People and contacts.

The following list includes all the English faculty, and other contributors to English MA degrees.

The journals Renaissance Studies, Textual Practice, The Oxford Literary Review and The Year’s Work in Critical and Cultural Theory are edited within the School of English.

Dr Gavin Ashenden 20th-century myth and metaphysics; psychology, psychoanalysis and belief.

Dr Sara Jane Bailes Contemporary experimental theatre, live art and visual practices, ideology and performance.

Dr David Barnett Post-war European drama and theatre, post-Brechtian political theatre.

Professor Peter Boxall Modern and contemporary fiction and drama.

Dr Sara Crangle Co-Director of the Centre for Modernist Studies. 20th-century literature.

Professor Brian Cummings 16th- and 17th-century literature and history.

Dr Sue Currell American literature and culture 1890-1940, 20th-century mass culture.

Dr Alistair Davies Modernism and postmodernism, 20th-century English and American literature.

Dr Denise DeCaires Narain Postcolonialist writing; feminist cultural theory; contemporary women’s writing in English, especially poetry.

Dr Matthew Dimmock 16th- and 17th-century literature and history, national identity, Islam.

Professor Andrew Hadfield Renaissance literature and politics, Britishness, Shakespeare, Spenser, and national identity.

Dr Doug Haynes European and American modernism, postmodernism.

Dr Margaret Healy Renaissance literature and culture, the political stage, Shakespeare, Dekker, medicine and literature.

Professor Tom Healy Head of School. 16th- and 17th-century writing and cultural history.

Dr Vicky Lebeau The convergence of psychoanalysis, literature and cinema; and feminist theory.

Dr William McEvoy British playwriting and directing; theatre, writing and ethics.

Dr Daniel Kane 20th-century American literature, the avant-garde, poetry since the 1960s.

Dr Maria Lauret American feminist fiction and theory; race and ethnicity.

Professor Stephanie Newell West African literature and popular culture, postcolonial theory.

Dr Rachel O’Connell Late 19th- and early 20th-century British literature; gender, queer, and disability studies.

Dr Catherine Packham 18th-century literature and philosophy; political economy and moral philosophy in the Scottish Enlightenment.

Dr Jason Price Popular theatre histories and practices; politics and performance.

Dr Vincent Quinn Lesbian and gay studies, the history of sexuality, 18th-century studies, Irish studies, and the history and theory of biography.

Dr John David Rhodes Italian cinema, modernist and avant-garde cinemas of Europe and the US, queer art cinema.

Professor Nicholas Royle Modern literature and literary theory, especially deconstruction and psychoanalysis; the uncanny.

Martin Ryle 19th- and 20th-century fiction; the politics of ‘culture’, with especial reference to education; and topographical and travel writing.

Dr Minoli Salgado Postcolonial literature and theory, memory and migrant identity, the short story, Rushdie, and Ondaatje.

Professor Lindsay Smith 19th-century literature and painting; photography in Victorian culture.

Dr Keston Sutherland Contemporary and 20th-century English and American poetry; Marxism and Frankfurt School critical theory.

Professor Jenny Bourne Taylor 19th-century literature and culture; literature and science; illegitimacy and the family.

Dr Pamela Thurschwell Co-Director of the Centre for Modernist Studies. Psychoanalysis, 19th- and 20th-century interest in the supernatural.

Professor Norman Vance 19th-century literature, religion and society; Anglo-Irish literature.

Professor Marcus Wood Satire in the romantic period, the representation of slavery, and colonial and postcolonial literature and theory.

Careers and profiles

Our graduates have gone on to careers in teaching and education, publishing, website production and marketing, journalism and writing, the charity sector, and NGOs. A number of our graduates go on to further study and careers in academia.

School and contacts