Desert ecologies are frequently cast as cinematic terrains of war and wonder. This talk suggests that to understand cinema’s reliance on deserts, we must look beyond the visual frame and attend to the material infrastructures and imperial legacies that shape these geographies. By tracing how the screen industry exploits former colonial territories as deregulated zones of techno-military experimentation, this talk calls for a critical re-engagement with desert geographies.
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Posted on behalf of: Faculty of Media, Arts and Humanities
Last updated: Tuesday, 27 May 2025