Technologies of Capture: Photography and Nineteenth Century Literature (Q3192)
30 credits, Level 6
The photographic image is ubiquitous, its presence has morphed into many 21st century cultural manifestations. Most obviously, in digital form, the photograph has become a staple of social networking sites and other visual modes of communication. Yet at its invention in 1839, the status and future of photography was far from clear-cut. Known as 'the black art from France' owing to its miraculous transcription of the visual world photography was frequently aligned with magic. Indeed, owing to its causal connection to its referent, a photograph had the status of an imprint as well as an image. People also delighted in seeing themselves the right way round as the photograph corrected the lateral inversion of the familiar mirror image. At the other end of the spectrum, however, photography's 'birth' was considered by some enough to bring about the 'death' of painting. In the nineteenth century, the presence of the camera radically affected major social, aesthetic and philosophical categories.
While photographs revolutionised representation, their relationship to existing visual and verbal forms was rich and complex and raised many questions. What did it mean to speak about literary 'realism' in the context of Fox-Talbot's new negative/positive process? How did post-mortem photographs affect literary portrayals of death and the spirit world? What was the impact upon Victorian institutions such as the asylum of the new genre of the photographic 'mug-shot'? What form of translation occurred when a two-dimensional photograph recorded the three-dimensional form of sculpture? This module explores the emergence and development of the photographic medium in relationship to a range of literary texts. Beginning with the 'pre-history' of photography as manifest in a range of optical toys, gadgets and visual spectacles it traces the emergence of various photographic forms as they intersect with literary ones. You have the opportunity to engage, in the context of 19th century fiction, poetry and non-fictional prose, fascinating material and conceptual changes that occur in the wake of the advent and popularisation of photography.
Topics for discussion include: the Picturesque; photographing sculpture (the case of the Parthenon Marbles); Pre-Raphaelitism; post-mortem photographs; spirit photography; photography and science; collecting and cartes de visite; the camera in colonial encounters; photography and disciplinary institutions; detective fiction; and photographing children.
No prior experience of photography or other visual media is required simply a readiness to engage visual technologies and images in addition to literary texts.
33%: Practical (Workshop)
100%: Coursework (Essay)
Contact hours and workload
This module is approximately 300 hours of work. This breaks down into about 33 hours of contact time and about 267 hours of independent study. The University may make minor variations to the contact hours for operational reasons, including timetabling requirements.
This module is running in the academic year 2020/21. We also plan to offer it in future academic years. It may become unavailable due to staff availability, student demand or updates to our curriculum. We’ll make sure to let our applicants know of such changes to modules at the earliest opportunity.
This module is offered on the following courses:
- American Studies and English (with a study abroad year) BA
- Drama and English (with a study abroad year) BA
- Drama and English BA
- English (with a study abroad year) BA
- English BA
- English Language and Literature (with a study abroad year) BA
- English Language and Literature BA
- English and Art History (with a study abroad year) BA
- English and Art History BA
- English and Film Studies BA
- English and History (with a study abroad year) BA
- English and History BA
- English and Media Studies (with a study abroad year) BA
- English and Media Studies BA
- Philosophy and English BA