Selected publications

Article

Clarke, Meaghan (2017) 'The greatest living critic': Christiana Herringham and the practise of connoisseurship. Visual Resources, 33 (1-2). pp. 94-116. ISSN 0197-3762

Clarke, Meaghan (2016) On tempera and temperament: women, art, and feeling at the fin de siècle. 19: Interdisciplinary Studies in the Long Nineteenth Century (23). ISSN 1755-1560

Clarke, Meaghan (2015) The art press at the fin de siècle: women, collecting, and connoisseurship. Visual Resources, 31 (1-2). pp. 15-30. ISSN 0197-3762

Clarke, Meaghan (2012) Seeing in Black-and-White: Incidents in Print Culture. Art History, 35 (3). pp. 574-595. ISSN 0141-6790

Clarke, Meaghan (2010) Critical Mediators: Locating the Art Press. Visual Resources, 26 (3). pp. 226-241. ISSN 0197-3762

Clarke, Meaghan (2010) The "triumph of perception and taste": Women, Exhibition Culture, and Henry James. Henry James Review, 31 (3). pp. 246-253. ISSN 0273-0340

Book Section

Clarke, Meaghan (2012) Sex and the city: the metropolitan new woman. In: Bonett, Helena, Holt, Ysanne and Mundy, Jennifer (eds.) The Camden Town Group in context. The Tate.

Clarke, Meaghan (2010) A Critical Voice in Canadian Art: Jehanne Biétry Salinger. In: Carr, Angela (ed.) Raven papers: Remembering Natalie Luckyj (1945-2002). Penumbra, Newcastle, Canada, pp. 59-88. ISBN 9781897323168

Clarke, Meaghan (2009) Translating nudus: Modernity and the British Academy's New Clothes. In: Adlam, Carol and Simpson, Juliet (eds.) Critical Exchange: Art Criticism of the Eighteenth and Nineteenth Centuries in Russia and Western Europe. Cultural Interactions: Studies in the Relationship between the Arts, 12 . Peter Lang, Bern, pp. 167-189. ISBN 9783039115563