Photo of Thomas Austin

Thomas Austin
Reader in Media & Film Studies (Media and Film)
Subject area: Film
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T: +44 (0)1273 872549


Research

My current research project considers the politics of immigration in recent European cinema, both fiction and documentary.

An article on documentary representations of refugees and migrants is forthcoming in a special issue of Studies in European Cinema, January 2019. My chapter on images of clandestine migration in European fiction film is forthcoming in Cinema of Crisis (see more on this book below *). Finally, my interview with Marianna Economou, director of The Longest Run, has just been published in the June 2017 issue of Senses of Cinema. (http://sensesofcinema.com/2017/feature-articles/marianna-economou-interview/)

* I am co-editing with Angelos Koutsourakis Cinema of Crisis: Film and Contemporary Europe. See call for chapters here: https://www.academia.edu/34027862/Call_for_chapters_Cinema_of_Crisis_Film_and_Contemporary_Europe

In June 2017 I completed editing an international collection of original essays exploring aesthetics and politics in the work of Aki Kaurismäki. The Films of Aki Kaurismäki: Ludic Engagements will be published in 2018 by Bloomsbury.

I have also written on questions of form and politics in the field of contemporary documentary. My latest article on this terrain, "Interiority, identity and the limits of knowledge in documentary film" was published in Screen, 57:4 Winter 2016.

My interview with the pioneering British filmmaker John Akomfrah appeared in Senses of Cinema 79, July 2016, online here: http://sensesofcinema.com/2016/feature-articles/john-akomfrah-interview/

An article on East German director Konrad Wolf ("Spectral cinema from a phantom state: film aesthetics and the politics of identity in Divided Heaven and Solo Sunny") has been published in Studies in Eastern European Cinema, vol.7, no.3, 2016.

In previous work I have researched the 'documentary boom' of the early 2000s, and audience responses to film and television documentaries. I have also undertaken empirical studies of audiences for Hollywood film, along with contextual research into the political economy of contemporary Hollywood, and its popular cultural presence in Britain.

I have supervised postgraduate doctoral research on the following topics:

audiences and Sylvester Stallone; television in the age of convergence; Bollywood and postmodernism; Friends fans on the net; Barbara Stanwyck; polysexuality, Torchwood and audiences: first person documentary; dance in film; John Hughes' teenpics; a cultural history of videoblogging; DA Pennebaker and direct cinema (all completed and passed).

I am currrently supervising work on:

documentary ontology and new media formats; contested representations of fandom in documentary.

I would especially welcome applications to research screen documentary, immigration in European film, or the work of Kaurismäki.