
| Post: | Research Support Assistant (Media, Film and Music (Professional Services)) |
| Other posts: | Associate Tutor (Media and Film) |
| Research Student (Media and Film) | |
| Location: | Silverstone Sb 228 |
| Email: | A.Fotopoulou@sussex.ac.uk |
Telephone numbers | |
| Internal: | 7215 |
| UK: | (01273) 877215 |
| International: | +44 1273 877215 |
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I completed my Ph.D in Media and Cultural Studies at the University of Sussex in January 2012. I am primarily interested in exploring the ways in which media and cultural studies cross with feminist science and technology studies and queer theory. My earliest work explored blogs of disabled women, as well as methodological issues in queer studies and intersectionality. What I found particularly interesting was how to give an account that is both dynamic and political, of the new forms of feminist and queer politics emerging in networked media environments in contemporary UK. Thus in my doctoral research 'Remediating politics: feminist and queer formations in digital networks', I developed a methodological and theoretical framework that addresses political aspects of digital media technologies and technological dimensions of women's politics. My work seeks to contribute to discussions around mediation and representation through an analysis of substantial ethnographic data, from both online and offline settings, and at their intersections.
During my Doctoral study, I have taken part in the summer schools
I am a member of the Digital Culture & Communication ECREA section, the Brighton and Sussex Sexualities Network (BSSN), MeCCSA and the Feminist and Women's studies association (FWSA). I have organised academic events, such as
My experience in peer-review includes
PhD (awarded 31st January 2012, subject to minor corrections), Postgrad Cert, MA, BA (Hons), BSc (Open).
Thesis
REMEDIATING POLITICS: FEMINIST AND QUEER FORMATIONS IN DIGITAL NETWORKS
My research examines reconfigurations of feminist and queer politics in digital networks. It does so by placing digital mediation at the heart of politicisation processes in contemporary highly technological and networked environments. The project maps practices and forms of politics which emerge in networked media environments in contemporary UK, both in online and offline settings, and at their intersections. My concern is also with the ways in which digital methods of research and visualisation change our ways of studying and imagining social change.
For the empirical analysis I employed various methods, like participant observation, hyperlink mapping and visualisation, textual analysis and interviews, and examined situated practices across different spaces and scales:
The research suggests that emerging forms of political organising comprise different kinds of networked publics that occupy various positions in a dynamic political topology. The thesis seeks to contribute to an understanding of how changing conditions in digitally mediated environments constitute foreclosures or possibilities for feminist and queer politics today.
Academic scholars and grassroot activists which engage in feminist and queer politics today do so in the context of digitally mediated environments. This research maps practices and forms of politics which emerge in networked media environments in contemporary UK. These are here examined in both online and offline settings, and at their intersections. Emerging formations are conceptualised as media publics. They are understood as assemblages consisting of variously and partly audiences, cultures and networks, which are discursively/materially produced. They physically occupy spaces, bodies and have various kinds of mobilities. The focus of the project is to account for political economy aspects of digital media, in order to understand how production and consumption practices shape action. By tracing multiple articulations and remediations of 'feminism', 'queer', and 'networks', the study additionally attempts to approach what it means for actors to engage with politics in this context. I thereby also engage with critical theoretical debates around gender, identity and technology and do so whilst attempting to be reflexively aware of my own ‘situated position’ in these debates.
Seminar Instructor - School of Media, Film and Music, University of Sussex.
Visiting Lecturer, University of Brighton
Module leader
SB 307 Thursdays 4.30-5.15
9th International Conference Crossroads in Cultural Studies, Paris, France, from July 2nd to 6th, 2012, hosted by Sorbonne Nouvelle University with the support of the French National Commission for UNESCO.
Digital Networks, Queer and Feminist Politics
Intersectionality, queer studies and hybridity: Methodological frameworks for social research in Journal of International Women's Studies, In Preparation - Planned
Remediating queer politics in online porn: Brand(ed) new sexualities and real bodies in Journal of Lesbian Studies, In Preparation - Planned
Translocal Connectivity and Political Identity: Brighton Queer Cultural Activism Nico Carpentier, Pille Pruulmann-Vengerfeldt, Richard Kilborn, Tobias Olsson, Hannu Nieminen, Ebba Sundin and Kaarle Nordenstreng, ed., in Communicative approaches to politics and ethics in Europe. The intellectual work of the 2009 ECREA European Media and Communication Doctoral Summer School' ISBN 978-9949-19-250-2