‘Sonic Ghosting’ as a critical and compositional/performance practice – the creative act, ghosts, hauntology, memory, temporality, conjuring as compositional/performance mode, ‘re-sounding’ archive, temporal or site-specific materials.

Sound/music composition & performance – the role of technology and mediation, interactive sound installation, improvisation, electro-acoustic composition, performance technologies, graphic & digital scores, electronic music performance & performance systems, guitar technology, electric guitar performance practice.

Industrial ruin & post industrial space – industrial heritage, cultural heritage, acoustic ecology, sonic heritage, site-specific practices, urban ruins, folk history, oral history, geography and music, industrial communities, psycho-geography, ethnography, soundscapes and alternative heritage.