Adaptation: Filming Fiction (P3066B)

30 credits, Level 6

Spring teaching

This module examines film adaptations of fiction from the silent period to the present day. A diverse range of film texts will be considered, along with critical and theoretical perspectives on adaptation, authorship and intertextuality.

The module focuses on film adaptations of 19th-century and 20th-century novels, short stories, picture books and graphic novels, including works by Lewis Carroll, Edgar Allan Poe, Emily Bronte, Raymond Carver, William Trevor and Maurice Sendak, and films by directors such as Roger Corman, Spike Jonze, David Cronenberg and Andrea Arnold. We will consider the significance of the idea of fidelity for the reception and theorisation of film adaptation.

The module will approach adaptation as both an industrial mode of commercial production and a creative mode of critical interpretation. Cinematic strategies deployed to reproduce literary devices will be analysed in order to think about adaptation's value for theories of medium specificity. The module will also examine the politics of crosscultural adaptation.


100%: Seminar


100%: Coursework (Essay)

Contact hours and workload

This module is 300 hours of work. This breaks down into 24 hours of contact time and 276 hours of independent study.

This module is running in the academic year 2018/19. We also plan to offer it in future academic years. It may become unavailable due to staff availability, student demand or updates to our curriculum. We’ll make sure to let our applicants know of such changes to modules at the earliest opportunity.


This module is offered on the following courses: