{"id":323,"date":"2016-07-26T20:56:59","date_gmt":"2016-07-26T20:56:59","guid":{"rendered":"http:\/\/localhost\/wordpress\/?page_id=323"},"modified":"2018-08-03T12:26:37","modified_gmt":"2018-08-03T11:26:37","slug":"making-prints-and-books","status":"publish","type":"page","link":"http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/","title":{"rendered":"Making Prints and Books"},"content":{"rendered":"<p>[vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/exhibition-introduction\/\">Exhibition Intro<\/a>\u00a0 \u00a0 \u00a0~ \u00a0 \u00a0 <a href=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/exhibition-map\/\">Map<\/a> \u00a0 \u00a0 ~ \u00a0 \u00a0\u00a0<a href=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/spectatorship-and-reflection\/\">Next Section<\/a><\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808080;\">Click a thumbnail to enter the gallery. Use the arrows at either side of the image to skip forward or back.<\/span><\/p>\n<div id='gallery-1' class='gallery galleryid-323 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-1-20_p135-jpg-detail-5\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-1-20_p135.jpg-detail-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after John Tenniel, illustration for \u2018Down the Rabbit-Hole\u2019, in Lewis Carroll [Charles Lutwidge Dodgson], Alice\u2019s Adventures in Wonderland\" loading=\"lazy\" aria-describedby=\"gallery-1-1547\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-1-20_p135.jpg-detail-5-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-1-20_p135.jpg-detail-5-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-1-20_p135.jpg-detail-5-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1547'>\n\t\t\t\t1. The Material Book\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-2-20_p299-jpg-detail\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-2-20_p299.jpg-detail-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after Arthur Boyd Houghton, headpiece for chapter one, illustration for Miguel de Cervantes Saavedra, The Adventures of Don Quixote de la Mancha\" loading=\"lazy\" aria-describedby=\"gallery-1-1548\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-2-20_p299.jpg-detail-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-2-20_p299.jpg-detail-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-2-20_p299.jpg-detail-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1548'>\n\t\t\t\t2. The Material Book\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-3-graverhandscomposite\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-3-graverhandscomposite-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel, illustration for &#039;Wood Engraving&#039;, in Laura Valentine (ed.), The Home Book of Pleasure and Instruction\" loading=\"lazy\" aria-describedby=\"gallery-1-1549\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-3-graverhandscomposite-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-3-graverhandscomposite-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-3-graverhandscomposite-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1549'>\n\t\t\t\t3. Makers &#038; Traders\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-4-20_p224-jpg-detail\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-4-20_p224.jpg-detail-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after Alfred Walter Bayes, illustration for The Book of Trades\" loading=\"lazy\" aria-describedby=\"gallery-1-1551\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-4-20_p224.jpg-detail-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-4-20_p224.jpg-detail-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-4-20_p224.jpg-detail-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1551'>\n\t\t\t\t4. Makers &#038; Traders\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-5-18_p226-jpg-detail\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-5-18_p226.jpg-detail-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after George John Pinwell, \u2018The Ballad-Maker\u2019, illustration for Robert Buchanan, North Coast and other Poems\" loading=\"lazy\" aria-describedby=\"gallery-1-1552\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-5-18_p226.jpg-detail-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-5-18_p226.jpg-detail-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-5-18_p226.jpg-detail-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1552'>\n\t\t\t\t5. Makers &#038; Traders\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-6-making-prints-and-books\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-6-making-prints-and-books-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel, logos for their own art books, the Manchester printer Excelsior and publishers Frederick Warne and Alexander Strahan\" loading=\"lazy\" aria-describedby=\"gallery-1-1553\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-6-making-prints-and-books-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-6-making-prints-and-books-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-6-making-prints-and-books-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1553'>\n\t\t\t\t6. Makers &#038; Traders\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-7-26_p245-jpg-detail\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-7-26_p245.jpg-detail-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel, &#039;Old Quills mending his pens&#039;, illustration for the magazine Good Words for the Young\" loading=\"lazy\" aria-describedby=\"gallery-1-1554\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-7-26_p245.jpg-detail-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-7-26_p245.jpg-detail-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-7-26_p245.jpg-detail-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1554'>\n\t\t\t\t7. Pen, Ink &#038; Paper\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-8-27_p228-jpg-detail-2\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-8-27_p228.jpg-detail-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after Hugh Rowley, illustration for Rowley, Gamosagammon; or Hints on Hymen\" loading=\"lazy\" aria-describedby=\"gallery-1-1555\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-8-27_p228.jpg-detail-2-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-8-27_p228.jpg-detail-2-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-8-27_p228.jpg-detail-2-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1555'>\n\t\t\t\t8. Pen, Ink &#038; Paper\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-9-27_p023-edit\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-9-27_p023-edit-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel, packaging for two sorts of notepaper (1870)\" loading=\"lazy\" aria-describedby=\"gallery-1-1556\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-9-27_p023-edit-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-9-27_p023-edit-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-9-27_p023-edit-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1556'>\n\t\t\t\t9. Pen, Ink &#038; Paper\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-10-20_p047-jpg-detail-1\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-10-20_p047.jpg-detail-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after Charles Altamont Doyle, pictorial initial, apparently for the 1866 Christmas Number of the magazine London Society\" loading=\"lazy\" aria-describedby=\"gallery-1-1557\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-10-20_p047.jpg-detail-1-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-10-20_p047.jpg-detail-1-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-10-20_p047.jpg-detail-1-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1557'>\n\t\t\t\t10. Book Design\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-11-21_p083-edit\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-11-21_p083-edit-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel, cover and spine for Charles Dickens, A Tale of Two Cities\" loading=\"lazy\" aria-describedby=\"gallery-1-1558\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-11-21_p083-edit-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-11-21_p083-edit-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-11-21_p083-edit-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1558'>\n\t\t\t\t11. Book Design\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-12-23_p083-edit\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-12-23_P083-edit-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after Walter Crane, illustrated wrapper for for the periodical The Argosy\" loading=\"lazy\" aria-describedby=\"gallery-1-1559\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-12-23_P083-edit-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-12-23_P083-edit-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-12-23_P083-edit-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1559'>\n\t\t\t\t12. Book Design\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-13-24_p193-jpg-detail\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-13-24_p193.jpg-detail-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel, after Francis S Walker (?), decorative border for Laura Valentine, The Nobility of Life, Its Graces and Virtues\" loading=\"lazy\" aria-describedby=\"gallery-1-1560\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-13-24_p193.jpg-detail-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-13-24_p193.jpg-detail-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-13-24_p193.jpg-detail-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1560'>\n\t\t\t\t13. Corrections\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-14-20_p138-detail-4-jpg\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-14-20_p138-detail-4.jpg-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after John Tenniel, illustration for \u2018Who Stole the Tarts\u2019, in Lewis Carroll [Charles Lutwidge Dodgson], Alice\u2019s Adventures in Wonderland\" loading=\"lazy\" aria-describedby=\"gallery-1-1561\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-14-20_p138-detail-4.jpg-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-14-20_p138-detail-4.jpg-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-14-20_p138-detail-4.jpg-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1561'>\n\t\t\t\t14. Corrections\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-15-20_p140-jpg\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-15-20_p140.jpg--150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after John Tenniel, illustration for \u2018Who Stole the Tarts\u2019, in Lewis Carroll [Charles Lutwidge Dodgson], Alice\u2019s Adventures in Wonderland\" loading=\"lazy\" aria-describedby=\"gallery-1-1562\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-15-20_p140.jpg--150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-15-20_p140.jpg--440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-15-20_p140.jpg--450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1562'>\n\t\t\t\t15. Corrections\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-16-18_p105-jpg-detail\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-16-18_p105.jpg-detail-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after Thomas Dalziel, illustration for The Spirit of Praise: A Collection of Hymns Old and New\" loading=\"lazy\" aria-describedby=\"gallery-1-1563\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-16-18_p105.jpg-detail-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-16-18_p105.jpg-detail-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-16-18_p105.jpg-detail-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1563'>\n\t\t\t\t16. Corrections\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-17-28_p152-jpg-detail-4\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-17-28_p152.jpg-detail-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after John Tenniel, illustration for &#039;Wool and Water&#039;, in Lewis Carroll [Charles Lutwidge Dodgson], Through the Looking-Glass, and What Alice Found There\" loading=\"lazy\" aria-describedby=\"gallery-1-1564\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-17-28_p152.jpg-detail-4-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-17-28_p152.jpg-detail-4-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-17-28_p152.jpg-detail-4-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1564'>\n\t\t\t\t17. Corrections\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-18-living-backwards\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-18-Living-backwards-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after John Tenniel, illustration for &#039;Wool and Water&#039;, in Lewis Carroll [Charles Lutwidge Dodgson], Through the Looking-Glass, and What Alice Found There\" loading=\"lazy\" aria-describedby=\"gallery-1-1565\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-18-Living-backwards-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-18-Living-backwards-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-18-Living-backwards-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1565'>\n\t\t\t\t18. Corrections\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-19-28_p157-jpg-detail-2\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-19-28_p157.jpg-detail-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after John Tenniel, illustration for &#039;Queen Alice&#039;, in Lewis Carroll [Charles Lutwidge Dodgson], Through the Looking-Glass, and What Alice Found There\" loading=\"lazy\" aria-describedby=\"gallery-1-1566\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-19-28_p157.jpg-detail-2-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-19-28_p157.jpg-detail-2-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-19-28_p157.jpg-detail-2-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1566'>\n\t\t\t\t19. Corrections\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-20-25_p011-jpg-detail\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-20-25_p011.jpg-detail-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel, unidentified illustration (1869)\" loading=\"lazy\" aria-describedby=\"gallery-1-1567\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-20-25_p011.jpg-detail-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-20-25_p011.jpg-detail-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-20-25_p011.jpg-detail-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1567'>\n\t\t\t\t20. Colour Printing\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-21-18_p110-edit\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-21-18_p110-edit-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after J Burlison, frontispiece for The Spirit of Praise: A Collection of Hymns Old and New\" loading=\"lazy\" aria-describedby=\"gallery-1-1568\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-21-18_p110-edit-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-21-18_p110-edit-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-21-18_p110-edit-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1568'>\n\t\t\t\t21. Colour Printing\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='http:\/\/www.sussex.ac.uk\/english\/dalziel\/making-prints-and-books\/pb-22-28_p019-detail\/'><img width=\"150\" height=\"150\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-22-28_p019-detail-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Dalziel after Francis S Walker, \u2018The Last of the Commune\u2019, full-page illustration for The Illustrated London News\" loading=\"lazy\" aria-describedby=\"gallery-1-1569\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-22-28_p019-detail-150x150.jpg 150w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-22-28_p019-detail-440x440.jpg 440w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/PB-22-28_p019-detail-450x450.jpg 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1569'>\n\t\t\t\t22. Joined Blocks\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>For Dalziel and their employees, making illustrations was both their art and trade, and here we explore the processes and materials of printmaking and books. Images range from a self-reflexive portrait of wood engraving hands (standing in for the hands of many engraver-employees who laboured to make images for Dalziel &#8211; see no. 3 in the gallery above) to prints that show evidence of the production process. For example, a proof from <em>Through the Looking-Glass <\/em>has been touched by Tenniel to indicate the alterations he wanted; the pencil note at the top requests &#8216;Fine lines between the rays&#8217; (no. 19).<\/p>\n<p>In this section, the first two images are pictorial celebrations of the book as an object. As mentioned in the exhibition introduction, the small door to Wonderland, in front of which Alice stands in image one, can be read as a symbol of the illustrated book, waiting to be opened.<\/p>\n<p>Making an illustrated book was a complex process. As well as the writer and publisher, the draughtsmen or draughtswomen and wood engravers, there was the printer, the book binder, the paper manufacturer, and many others. Simply preparing a woodblock so that it was ready for engraving and printing was a specialist skill. The dense blocks had to be utterly smooth and flat, and exactly the correct height to range with type. Many blocks carry the same maker&#8217;s stamp on their sides: &#8216;C Wells, inventor, 24 Bouverie Street, London&#8217;. Then there were the compositors, who set the metal type for printing, letter by letter. Image ten is a pictorial capital of a fantastical subject, but the fairy who carries the letter &#8216;F&#8217; can be imagined as a portrait of the compositor carrying a piece of type. Images three to six reflect on the illustrated book trade, with illustrations of a printer at a press (no. 4), a wood engraver&#8217;s hands and graver (no. 3), and some of the numerous company logos that Dalziel created, both for themselves and for commercial publishers and printers (no. 6). Following this are two comic images that remind us of the materiality of pens and of ink (nos. 7\u20138), and some proofs of packaging for packets of paper (no. 9), that give an insight into the taste of Victorian consumers, who bought nostalgic products such as &#8216;Antique Vellum\u2019 notepaper.<\/p>\n<p>Several wood engravings also give an indication of\u00a0Dalziel&#8217;s role in book design, such as book covers and pictorial initials (nos. 10\u201312). There are many proofs that show evidence of corrections made to woodblocks during the illustration process, both for <em>Alice<\/em> and other works (nos. 13\u201319). And finally, there are examples of colour printing (nos. 20\u201321) and of the fragmentation process whereby large wood engravings had to be made from many small blocks bolted together (no. 22). This was because large blocks cannot be obtained from boxwood, since the trunks have a small diameter.<\/p>\n<p style=\"text-align: right;\"><span style=\"color: #808080;\">Bethan Stevens<\/span><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong><a href=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/spectatorship-and-reflection\/\">Next Section<\/a><\/strong><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"alignnone wp-image-1946 size-large\" src=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/logos-high-quality-for-web-1024x248.png\" alt=\"logos-high-quality-for-web\" width=\"790\" height=\"191\" srcset=\"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/logos-high-quality-for-web-1024x248.png 1024w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/logos-high-quality-for-web-300x73.png 300w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/logos-high-quality-for-web-768x186.png 768w, http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-content\/uploads\/2016\/07\/logos-high-quality-for-web.png 1265w\" sizes=\"(max-width: 790px) 100vw, 790px\" \/><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] Exhibition Intro\u00a0 \u00a0 \u00a0~ \u00a0 \u00a0 Map \u00a0 \u00a0 ~ \u00a0 \u00a0\u00a0Next Section Click a thumbnail to enter the gallery. Use the arrows at either side of the image to skip forward or back. For Dalziel and their employees, making illustrations was both their art and trade, and here we explore the processes and&hellip; <\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-json\/wp\/v2\/pages\/323"}],"collection":[{"href":"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-json\/wp\/v2\/comments?post=323"}],"version-history":[{"count":1,"href":"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-json\/wp\/v2\/pages\/323\/revisions"}],"predecessor-version":[{"id":3179,"href":"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-json\/wp\/v2\/pages\/323\/revisions\/3179"}],"wp:attachment":[{"href":"http:\/\/www.sussex.ac.uk\/english\/dalziel\/wp-json\/wp\/v2\/media?parent=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}